{"title":"SVANHOLM, Set","description":"","products":[{"product_id":"wagner-kirsten-flagstad-parsifal-siegfried","title":"Wagner: Kirsten Flagstad sings Parsifal \u0026 Siegfried - Acts I \u0026 II of Parsifal, London, 1951.  Act III Siegfried, London, 1949","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eIt is a regret of mine that the great Kirsten Flagstad is so underrepresented in my catalog. Although we are fortunate that she emerged when recordings were starting to become more and more commonplace, the ability to record broadcasts of operas was still in its infancy and an expensive process at that. So even though these performances are incomplete they are priceless because they give an accurate and honest account of the brilliance that was Kirsten Flagstad. By 1951 the bloom of Flagstad's middle voice had become lusher making her the ideal Kundry. Even though the first Act of this \u003cem\u003eParsifal\u003c\/em\u003e, which has not been available for years, only begins 30 minutes into the opera, there are many opportunities for Flagstad, the actress, to shine and as an added bonus we get a chance to hear the excellent Amfortas of Sigurd Bjoerling. In Act II Flagstad displays an electric stage presence and sets fire to the scene in a way that I have never heard her even in roles like Isolde and Brünnhilde. Although a few of the high notes get away from her, she is committed and thrilling. The Excerpt of \u003cem\u003eSiegfried\u003c\/em\u003e begins right after the Erda-Wanderer scene in Act III. Despite the following scene between Siegfried and the Wanderer being savagely cut, it is nonetheless acquitted very well by Set Svanholm and Kenneth Schon (Schon was an American Bass-Baritone who went on to make a name for himself on Broadway.) Flagstad's subsequent awakening reveals a voice of astonishing beauty and control. Her \"Ewig war ich\" is delivered with the musical delicacy of a Schubert Lied and the vocal technique of a superb Mozart singer. The sound is surprisingly good for the time\u003c\/p\u003e\n\u003cp\u003eOD 10921-3\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292665954440,"sku":"10921-3","price":26.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099223812,"sku":"MP3 10921-3","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10921-3front.jpg?v=1751037311"},{"product_id":"strauss-ariadne-auf-naxos-nilsson-svanholm","title":"Strauss: Ariadne auf Naxos - Nilsson, Svanholm, Schymberg, Lindberg, Söderström; Sandberg.  Stockholm, 1949","description":"\u003ch1 class=\"title-header\" style=\"text-align: center;\"\u003eRecording Information\u003c\/h1\u003e\n\n\u003cdiv class=\"two-column-grid\"\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n\n\u003cp\u003e\nAriadne – \u003cstrong\u003eBirgit Nilsson\u003c\/strong\u003e\u003cbr\u003e\nBacchus – \u003cstrong\u003eSet Svanholm\u003c\/strong\u003e\u003cbr\u003e\nKomponist – \u003cstrong\u003eChristine Lindberg (Bette Wermine-Björling)\u003c\/strong\u003e\u003cbr\u003e\nZerbinetta – \u003cstrong\u003eHjordis Schymberg\u003c\/strong\u003e\u003cbr\u003e\nMusiklehrer – \u003cstrong\u003eArne Wiren\u003c\/strong\u003e\u003cbr\u003e\nHarlekin – \u003cstrong\u003eCarl-Axel Hallgren\u003c\/strong\u003e\u003cbr\u003e\nScaramuccio – \u003cstrong\u003eHans Wihlborg\u003c\/strong\u003e\u003cbr\u003e\nBrighella – \u003cstrong\u003eGösta Björling\u003c\/strong\u003e\u003cbr\u003e\nTruffaldino – \u003cstrong\u003eFolke Jonsson\u003c\/strong\u003e\u003cbr\u003e\nNajade – \u003cstrong\u003eFlorence Widgren\u003c\/strong\u003e\u003cbr\u003e\nDryade – \u003cstrong\u003eIngegard Norlin\u003c\/strong\u003e\u003cbr\u003e\nEcho – \u003cstrong\u003eElisabeth Söderström\u003c\/strong\u003e\u003cbr\u003e\nTanzmeister – \u003cstrong\u003eGösta Björling\u003c\/strong\u003e\u003cbr\u003e\nHaushofmeister – \u003cstrong\u003eRagnar Hylten-Cavallius\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\n\u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n\n\u003cp\u003e\nLocation: \u003cstrong\u003eStockholm\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003e1949\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eHerbert Sandberg\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10080-2\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":31292663333000,"sku":"10080-2","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/Strauss-Richard_6315312a-e762-4888-8f69-1722a83e7498.png?v=1782509545"},{"product_id":"verdi-aida-valkki-svanholm-ericson-ehriling","title":"Verdi: Aida - Välkki, Svanholm, Ericson, Björling; Ehlring. Stockholm, 1960","description":"\u003ch1 class=\"title-header\" style=\"text-align: center;\"\u003eRecording Information\u003c\/h1\u003e\n\n\u003cdiv class=\"two-column-grid\"\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n\n\u003cp\u003e\nAida – \u003cstrong\u003eAnita Välkki\u003c\/strong\u003e\u003cbr\u003e\nAmneris – \u003cstrong\u003eBarbro Ericson\u003c\/strong\u003e\u003cbr\u003e\nRadamès – \u003cstrong\u003eSet Svanholm\u003c\/strong\u003e\u003cbr\u003e\nAmonasro – \u003cstrong\u003eSigurd Björling\u003c\/strong\u003e\u003cbr\u003e\nRamfis – \u003cstrong\u003eErik Saeden\u003c\/strong\u003e\u003cbr\u003e\nIl Rè – \u003cstrong\u003eArne Tyren\u003c\/strong\u003e\u003cbr\u003e\nSacerdotessa – \u003cstrong\u003eEva Pritz\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\n\u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n\n\u003cp\u003e\nLocation: \u003cstrong\u003eRoyal Opera House, Stockholm\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003eApril 4, 1960\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eSixten Ehrling\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10366-2\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":31292650094728,"sku":"10366-2","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/Verdi-Giuseppe_e980f074-2c23-405d-813c-d6685e54f667.png?v=1782510481"},{"product_id":"wagner-gotterdammerung-flagstad-svanholm-weber-kleiber","title":"Wagner: Götterdämmerung (excerpts) - Flagstad, Svanholm, Weber, Kindermann; E. Kleiber.  Buenos Aires, 1948","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis set offers a tantalizing glimpse of a \u003ci\u003eGötterdämmerung\u003c\/i\u003e featuring perhaps the greatest dramatic soprano of the twentieth century. \u003cb\u003eKirsten Flagstad\u003c\/b\u003e, though slightly past her peak in 1948, still sings with remarkable assurance—even if the high C in the duet is omitted. \u003c\/p\u003e\n\u003cp\u003eShe is joined by \u003cb\u003eSet Svanholm\u003c\/b\u003e, who is especially compelling in the heroic passages. His vocal coloring at the end of Act I, when he appears in the form of Gunther, is unmatched by any other tenor I’ve heard. \u003cb\u003eLudwig Weber\u003c\/b\u003e, in the prime of his career, delivers a suave yet dark-toned Hagen. \u003cb\u003eErich Kleiber\u003c\/b\u003e leads an idiosyncratic but intense performance. One can only imagine how extraordinary a complete version might have been. Missing from this set is the Gutrune of \u003cb\u003eRose Bampton\u003c\/b\u003e. \u003cstrong\u003eHans Hotter\u003c\/strong\u003e manages to have one line included.\u003c\/p\u003e\n\u003cp\u003eIn Mono\u003c\/p\u003e\n\u003cp\u003eOD 10382-1\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292649570440,"sku":"10382-1","price":9.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099214916,"sku":"MP3 10382-1","price":5.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":50364711698753,"sku":"FLAC 10382-1","price":6.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10382-1front.jpg?v=1751036987"},{"product_id":"wagner-gotterdammerung-harshaw-svanholm-hoffmann-konetzni-sutherland-shuard-kempe","title":"Wagner: Götterdämmerung - Harshaw, Svanholm, L. Hoffmann, H. Konetzni, Rothmuller, Sutherland, Shuard; Kempe.  London, 1955","description":"\u003ch1 class=\"title-header\" style=\"text-align: center;\"\u003eRecording Information\u003c\/h1\u003e\n\n\u003cdiv class=\"two-column-grid\"\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n\n\u003cp\u003e\nBrünnhilde – \u003cstrong\u003eMargaret Harshaw\u003c\/strong\u003e\u003cbr\u003e\nSiegfried – \u003cstrong\u003eSet Svanholm\u003c\/strong\u003e\u003cbr\u003e\nHagen – \u003cstrong\u003eLudwig Hoffmann\u003c\/strong\u003e\u003cbr\u003e\nGunther – \u003cstrong\u003eMarko Rothmuller\u003c\/strong\u003e\u003cbr\u003e\nGutrune – \u003cstrong\u003eHilde Konetzni\u003c\/strong\u003e\u003cbr\u003e\nWaltraute – \u003cstrong\u003eMaria von Ilosvay\u003c\/strong\u003e\u003cbr\u003e\nWoglinde – \u003cstrong\u003eJoan Sutherland\u003c\/strong\u003e\u003cbr\u003e\nWellgunde – \u003cstrong\u003eUna Hale\u003c\/strong\u003e\u003cbr\u003e\nFloßhilde – \u003cstrong\u003eGlenice Halliday\u003c\/strong\u003e\u003cbr\u003e\n1. Norn – \u003cstrong\u003eMaria von Ilosvay\u003c\/strong\u003e\u003cbr\u003e\n2. Norn – \u003cstrong\u003eConstance Shacklock\u003c\/strong\u003e\u003cbr\u003e\n3. Norn – \u003cstrong\u003eAmy Shuard\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\n\u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n\n\u003cp\u003e\nLocation: \u003cstrong\u003eLondon\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003eJuly 17, 1955\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eRudolf Kempe\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10385-4\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":31292649472136,"sku":"10385-4","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/Wagner-Richard_f946249a-1cbb-4791-b952-b5378185498c.png?v=1782510572"},{"product_id":"wagner-die-walkure-nilsson-svanholm-greindl","title":"Wagner: Die Walküre (Act I) - Nilsson, Svanholm, Greindl; Schmidt-Isserstedt.  Hamburg, 1953","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWith colossal talents like \u003cstrong\u003eBirgit Nilsson\u003c\/strong\u003e, it’s tempting to imagine that she emerged fully formed from the forehead of some deity. Listening to her in the early 1950s, the unmistakable \u003cstrong\u003eNilsson\u003c\/strong\u003e sound is already there—yet alongside the familiar brilliance, there is a striking plangency to her tone, a quality that would later be tempered by the formidable steel of her mature voice. She is joined by the seasoned \u003cstrong\u003eSet Svanholm\u003c\/strong\u003e, who, approaching 50, still delivers youthful, virile tones. \u003cstrong\u003eJosef Greindl\u003c\/strong\u003e is a dark and imposing Hunding, bringing a commanding presence to the role. \u003cstrong\u003eHans Schmidt-Isserstedt\u003c\/strong\u003e conducts with urgency, shaping Wagner’s phrases with a keen sense of forward momentum and nuance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBONUS:\u003c\/strong\u003e\u003cbr\u003eBirgit Nilsson Sings Excerpts from \u003cem\u003eDie Walküre \u003c\/em\u003eand \u003cem\u003eTristan und Isolde\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOD 10545-1\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292643672200,"sku":"10545-1","price":9.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099211652,"sku":"MP3 10545-1","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10545-1front.jpg?v=1751036832"},{"product_id":"wagner-gotterdammerung-varnay-svanholm-list-bampton-kleiber","title":"Wagner: Götterdämmerung - Varnay, Svanholm, List, Janssen, Bampton; E. Kleiber.  Buenos Aires, 1947","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eIt’s remarkable to think that \u003cstrong\u003eAstrid Varnay\u003c\/strong\u003e was not yet thirty when she sang this performance of \u003cem\u003eGötterdämmerung\u003c\/em\u003e. Her voice is absolutely gleaming and enormous, and her command of Wagnerian style is impeccable. Having worked with the likes of \u003cstrong\u003eMelchior, Traubel, and Flagstad\u003c\/strong\u003e, she certainly had exceptional role models.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet Svanholm\u003c\/strong\u003e brings a lyrical approach to Siegfried, at times singing with a Mozartian elegance, and even delivering a surprisingly solid high C in Act III. \u003cstrong\u003eEmanuel List\u003c\/strong\u003e has to make some adjustments in the upper register to get through Hagen’s role, but his voice remains suitably dark.\u003c\/p\u003e\n\u003cp\u003eThat said, the real star of the evening is \u003cstrong\u003eErich Kleiber\u003c\/strong\u003e. His tempos are brisk without feeling rushed, and he draws moments of unexpected grace and playfulness from the orchestra. The sound quality is what one would expect from a 1940s radio broadcast.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTE:\u003c\/strong\u003e Previous versions in circulation were slightly sharp. We have corrected this issue.\u003c\/p\u003e\n\u003cp\u003eOD 10556-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292643377288,"sku":"10556-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099222852,"sku":"MP3 10556-4","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10556-4front.jpg?v=1751036820"},{"product_id":"verdi-otello-set-svanholm-nordmo-loevberg-bjorling-ehrling","title":"Verdi: Otello (In Swedish) - Svanholm, Normdo-Løvberg, S. Björling; Ehrling.  Stockholm, 1953","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThe role of Otello is by far the most heroic of all Verdi tenor parts, which has led many Heldentenors to take on the title role. \u003cstrong\u003eSet Svanholm\u003c\/strong\u003e exemplifies why this casting choice works so well. His burnished tenor infuses the character with a tortured quality, even during the relative calm of the love duet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSigurd Björling\u003c\/strong\u003e takes on the role of Iago. While more of a bass-baritone and unable to sing the A naturals in the drinking song, his dark, menacing tone adds a formidable edge to the character. Sung in Swedish, this performance benefits from the unique interpretive touches of the cast. The sound is excellent.\u003c\/p\u003e\n\u003cp\u003eOD 10666-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292638331016,"sku":"10666-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099139780,"sku":"MP3 10666-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10666-2front.jpg?v=1751036667"},{"product_id":"wagner-das-rheingold-janssen-cavelti-svanholm-list-kleiber","title":"Wagner: Das Rheingold - Janssen, Cavelti, Svanholm, List, Danton; E. Kleiber.  Buenos Aires, 1947","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eErich Kleiber in recent years has become overshadowed to a great deal by his son Carlos who had the unfair advantage of coming of age during the height of the recording business and leaving far more documents. In this performance, the Elder Kleiber shows, to a great extent, that the apple doesn't fall that far from the tree favoring brisker tempo. It is a pity that he didn't have a better orchestra at his disposal as the orchestra at the Colón makes many blunders throughout the evening. It also seems, to my ear at least, to be missing the Wagner tuben and bass trumpet which really add a lot to the overall color of the \u003cem\u003eRing\u003c\/em\u003e. Herbert Janssen's baritonal Wotan is at ease throughout the evening. The sound is fair to good. Previous versions of this performance were pitched almost a half-step high. I have fixed this flaw.\u003c\/p\u003e\n\u003cp\u003eOD 10851-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292630532232,"sku":"10851-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099159748,"sku":"MP3 10851-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10851-2front_0caf65b2-73c0-4589-b452-f6a7c88ab1a2.jpg?v=1751036429"},{"product_id":"wagner-siegfried-meistersinger-flagstad-svanholm-suthaus-hotter-erich-kleiber","title":"Wagner: Excerpts from Siegfried \u0026 Meistersinger - Flagstad, Suthaus, Hotter; Rankl, E. Kleiber. 1949-1950","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003e\u003caudio controls=\"controls\"\u003e\n  \u003csource src=\"https:\/\/s3.amazonaws.com\/OD-Downloads\/S11064-2b.wav\" type=\"audio\/wav\"\u003e\n  \u003csource src=\"https:\/\/s3.amazonaws.com\/OD-Downloads\/S11064-2b.MP3\" type=\"audio\/mpeg\"\u003e\nYour browser does not support the audio element.\n\u003c\/source\u003e\u003c\/audio\u003e\u003c\/p\u003e\n\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eI came across some fragments of Wagner operas from 1949 to 1950 which offer a tantalizing glimpse into what was truly a golden age of singing. The first is a complete recording of Act III of \u003cem\u003eSiegfried\u003c\/em\u003e from 1949 and featuring Kirsten Flagstad and Set Svanholm (I have offered this performance previously in a truncated version that did not include the Erda and Wotan scene.) The sound has some patchy moments which come and go throughout. Even in her 50s, Kirsten Flagstad’s voice was still gleaming and she nails the first notoriously difficult high C effortlessly (she opts out of the final high C.) She is well matched by Set Svanholm’s clarion tenor voice as Siegfried The disc offers another performance of the two in the final duet from \u003cem\u003eSiegfried\u003c\/em\u003e from the following year. Although this performance is not complete, the sound is much better. Lastly, I came across a series of excerpts from a performance of \u003cem\u003eDie Meistersinger von Nürnberg\u003c\/em\u003e from Buenos Aires, 1949 conducted by the great Erich Kleiber. Kleiber brings a light touch to \u003cem\u003eMeistersinger\u003c\/em\u003e with tempi leaning towards the brisk side of the spectrum and he extracts some excellent articulation from the orchestra. These excerpts include both of the Preludes as well as a portion of the \u003cem\u003ePreislied\u003c\/em\u003e sung effortlessly by Ludwig Suthaus, a portion of David’s music sung by Anton Dermota, a stirring \u003cem\u003e”Wacht auf!”\u003c\/em\u003e and the finale of the opera sung by Hans Hotter. Of the three performances, the \u003cem\u003eMeistersinger\u003c\/em\u003e is in the best sound and is a wonderful find for all of the Erich Kleiber fans out there.\u003c\/p\u003e\n\u003cp\u003eOD 11064-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292623650952,"sku":"11064-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099250116,"sku":"MP3 11064-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/11064-2front.jpg?v=1751036233"},{"product_id":"erich-carlos-kleiber-retrospective-tristan-wozzeck-siegfried-gotterdammerung-otello-falstaff-rheingold","title":"Compilation: Erich \u0026 Carlos Kleiber - Excerpts from Wozzeck, Falstaff, Otello, Elektra, Tristan \u0026 The Ring","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eLauding the phenomenon of \u003cstrong\u003eErich\u003c\/strong\u003e and \u003cstrong\u003eCarlos Kleiber\u003c\/strong\u003e is hardly a new pastime in the opera world, and I must admit I feel a bit intimidated doing so now. Much has been said about the meticulous yet organic touch of Erich Kleiber and the idiomatic (and seemingly intentionally enigmatic) technical style of Carlos. What stands out most to me about these two is their uncanny ability to take well-known works and leave you feeling as if you were hearing them for the first time.\u003c\/p\u003e\n\u003cp\u003eWhether it’s the fleet reading of the elder’s \u003cem\u003eMeistersinger\u003c\/em\u003e overture or the gut-wrenching ecstasy of Carlos’ \u003cem\u003eLiebestod\u003c\/em\u003e, both had a way of investing music with a kind of magic that defies analysis. 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