{"title":"September 29 New Releases","description":null,"products":[{"product_id":"massenet-thais-kabaivanska-bruscantini-tagger-zerbini-de-fabritiis","title":"Massenet: Thaïs (In Italian) - Kabaivanska, Bruscantini, Tagger, Zerbini, De Fabritiis. Catania 1969","description":"\u003cdiv class=\"two-column-grid\"\u003e\n  \u003c!-- Left Column: Title, Composer, Description --\u003e\n  \u003cdiv\u003e\n    \u003ch1 class=\"title-header\" style=\"font-size: 18px; font-family: Baskerville; font-style: italic; color: #330065; font-weight: normal; text-transform: none;\"\u003eThaïs\u003c\/h1\u003e\n    \u003cp\u003e\u003cstrong\u003eJules Massenet (1842 - 1912)\u003c\/strong\u003e\u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eDESCRIPTION\u003c\/h3\u003e\n    \u003cp\u003e\u003cstrong\u003eRaina Kabaivanska\u003c\/strong\u003e makes a rare excursion into the French repertoire, albeit sung in Italian, in this performance of \u003ci\u003eThaïs\u003c\/i\u003e. Kabaivanska captures the radiant allure of the title character, projecting her glamour and sensuality while tracing with equal conviction her eventual transformation toward rapturous piety.\u003c\/p\u003e\n    \u003cp\u003eAlthough the opera bears the name \u003ci\u003eThaïs\u003c\/i\u003e, Athanaël is an equally central presence, and \u003cstrong\u003eSesto Bruscantini\u003c\/strong\u003e proves an excellent partner to Kabaivanska. He vividly conveys the character's sensuality and increasingly unhinged obsession, while meeting the vocal demands of the score with assurance.\u003c\/p\u003e\n    \u003chr class=\"mobile-only-hr\"\u003e\n  \u003c\/div\u003e\n  \u003c!-- Right Column: Cast and Details --\u003e\n  \u003cdiv\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eCAST\u003c\/h3\u003e\n    \u003cp\u003e\n      Thaïs – \u003cstrong\u003eRaina Kabaivanska\u003c\/strong\u003e\u003cbr\u003e\n      Athanaël – \u003cstrong\u003eSesto Bruscantini\u003c\/strong\u003e\u003cbr\u003e\n      Nicias – \u003cstrong\u003eNicola Tagger\u003c\/strong\u003e\u003cbr\u003e\n      Palémon – \u003cstrong\u003eAntonio Zerbini\u003c\/strong\u003e\u003cbr\u003e\n      Un Serviteur – \u003cstrong\u003eCarmelo Mollica\u003c\/strong\u003e\u003cbr\u003e\n      Crobyle – \u003cstrong\u003eMarisa Zotti\u003c\/strong\u003e\u003cbr\u003e\n      Myrtale – \u003cstrong\u003eAnita Caminada\u003c\/strong\u003e\u003cbr\u003e\n      Albine – \u003cstrong\u003eClara Foti\u003c\/strong\u003e\u003cbr\u003e\n      La Charmeuse – \u003cstrong\u003eGiovanna Di Rocco\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eDETAILS\u003c\/h3\u003e\n    \u003cp\u003e\n      Location: \u003cstrong\u003eCatania\u003c\/strong\u003e\u003cbr\u003e\n      Date: \u003cstrong\u003eApril 3, 1969\u003c\/strong\u003e\u003cbr\u003e\n      Conductor: \u003cstrong\u003eOliviero De Fabritiis\u003c\/strong\u003e\u003cbr\u003e\n      Catalogue Number: \u003cstrong\u003eOD 12416-2\u003c\/strong\u003e\u003cbr\u003e\n      Label: \u003cstrong\u003eOpera Depot\u003c\/strong\u003e\u003cbr\u003e\n      Number of Discs: \u003cstrong\u003e2\u003c\/strong\u003e\u003cbr\u003e\n      \u003cstrong\u003eIn Stereo\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eNOTE\u003c\/h3\u003e\n    \u003cp\u003eThe end of Act II is missing from this performance, as is the second Cenobite scene.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":67585689485633,"sku":"12416-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":67585689518401,"sku":"MP3 12416-2","price":9.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":67585689551169,"sku":"FLAC 12416-2","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/12416-2front.jpg?v=1790530106"},{"product_id":"verdi-aida-crespin-vickers-amparan-meliciani-washington-rescigno","title":"Verdi: Aida - Crespin, Vickers, Amparan, Meliciani, Washington; Rescigno. Buenos Aires, 1962","description":"\u003cdiv class=\"two-column-grid\"\u003e\n  \u003c!-- Left Column: Title, Composer, Description --\u003e\n  \u003cdiv\u003e\n    \u003ch1 class=\"title-header\" style=\"font-size: 18px; font-family: Baskerville; font-style: italic; color: #330065; font-weight: normal; text-transform: none;\"\u003eAida\u003c\/h1\u003e\n    \u003cp\u003e\u003cstrong\u003eGiuseppe Verdi (1813 - 1901)\u003c\/strong\u003e\u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eDESCRIPTION\u003c\/h3\u003e\n    \u003cp\u003e\u003cstrong\u003eRégine Crespin\u003c\/strong\u003e assumes the title role of \u003ci\u003eAida\u003c\/i\u003e with mixed results. As always, her luscious soprano soars over the orchestra with ease, offering torrents of sound that one can only imagine were thrilling in the theater. By the early 1960s, however, the top of her voice was beginning to become somewhat tentative, and one can sense a degree of apprehension as she approaches some of the score's more challenging moments.\u003c\/p\u003e\n    \u003cp\u003eShe is aided by \u003cstrong\u003eJon Vickers\u003c\/strong\u003e, who proves a sensitive colleague, at times joining her during the Act III duet in what I imagine was an effort to make her feel less exposed during a particularly difficult vocal ascent. Vickers demonstrates that he was not immune to the challenges of the score himself, opting to take a few high notes down. Despite these brief adjustments, the pair bring considerable vocal allure and dramatic conviction to their roles, ultimately delivering a more rewarding performance than one offering mere vocal perfection.\u003c\/p\u003e\n    \u003cp\u003e\u003cstrong\u003eBelén Amparán\u003c\/strong\u003e, a woefully underappreciated singer, is a commanding presence as Amneris, matching the oversized vocal personalities of Vickers and Crespin particularly well.\u003c\/p\u003e\n    \u003chr class=\"mobile-only-hr\"\u003e\n  \u003c\/div\u003e\n  \u003c!-- Right Column: Cast and Details --\u003e\n  \u003cdiv\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eCAST\u003c\/h3\u003e\n    \u003cp\u003e\n      Aida – \u003cstrong\u003eRégine Crespin\u003c\/strong\u003e\u003cbr\u003e\n      Radamès – \u003cstrong\u003eJon Vickers\u003c\/strong\u003e\u003cbr\u003e\n      Amneris – \u003cstrong\u003eBelén Amparán\u003c\/strong\u003e\u003cbr\u003e\n      Amonasro – \u003cstrong\u003eCarlo Meliciani\u003c\/strong\u003e\u003cbr\u003e\n      Ramfis – \u003cstrong\u003ePaolo Washington\u003c\/strong\u003e\u003cbr\u003e\n      Il Re – \u003cstrong\u003eUmberto Passos\u003c\/strong\u003e\u003cbr\u003e\n      La Sacerdotessa – \u003cstrong\u003eAdriana Turner\u003c\/strong\u003e\u003cbr\u003e\n      Un Messaggero – \u003cstrong\u003eEduardo del Campo\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eDETAILS\u003c\/h3\u003e\n    \u003cp\u003e\n      Location: \u003cstrong\u003ePalacio de Bellas Artes, Mexico City\u003c\/strong\u003e\u003cbr\u003e\n      Date: \u003cstrong\u003eSeptember 1, 1962\u003c\/strong\u003e\u003cbr\u003e\n      Conductor: \u003cstrong\u003eNicola Rescigno\u003c\/strong\u003e\u003cbr\u003e\n      Catalogue Number: \u003cstrong\u003eOD 12417-2\u003c\/strong\u003e\u003cbr\u003e\n      Label: \u003cstrong\u003eOpera Depot\u003c\/strong\u003e\u003cbr\u003e\n      Number of Discs: \u003cstrong\u003e2\u003c\/strong\u003e\u003cbr\u003e\n      \u003cstrong\u003eIn Mono\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":67585689682241,"sku":"12417-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":67585689715009,"sku":"MP3 12417-2","price":9.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":67585689747777,"sku":"FLAC 12417-2","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/12417-2front.jpg?v=1790530108"},{"product_id":"verdi-don-carlo-king-watson-frick-naaf-tipton-bohme-bender","title":"Verdi: Don Carlo (In German) - King, Watson, Frick, Naaf, Tipton, Böhme; Bender. München, 1965","description":"\u003cdiv class=\"two-column-grid\"\u003e\n  \u003c!-- Left Column: Title, Composer, Description --\u003e\n  \u003cdiv\u003e\n    \u003ch1 class=\"title-header\" style=\"font-size: 18px; font-family: Baskerville; font-style: italic; color: #330065; font-weight: normal; text-transform: none;\"\u003eDon Carlo\u003c\/h1\u003e\n    \u003cp\u003e\u003cstrong\u003eGiuseppe Verdi (1813 - 1901)\u003c\/strong\u003e\u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eDESCRIPTION\u003c\/h3\u003e\n    \u003cp\u003eTranslations can often distort the flavor of an opera, but in the case of \u003ci\u003eDon Carlo\u003c\/i\u003e, this German version somehow feels less incongruous. Perhaps this is due to the Gothic character of the score or to the opera's origins in Friedrich Schiller's play. Then again, it may simply be the result of the artistry of its two leads, \u003cstrong\u003eJames King\u003c\/strong\u003e and \u003cstrong\u003eClaire Watson\u003c\/strong\u003e. King's dark tenor perfectly captures Don Carlo's broken optimism, while Watson infuses Elisabetta with purity of tone and ample vocal heft.\u003c\/p\u003e\n    \u003cp\u003e\u003cstrong\u003eGottlob Frick\u003c\/strong\u003e creates a multidimensional portrayal of Filippo II, combining imperious gravitas with a vulnerability that I have rarely heard from this singer.\u003c\/p\u003e\n    \u003chr class=\"mobile-only-hr\"\u003e\n  \u003c\/div\u003e\n  \u003c!-- Right Column: Cast and Details --\u003e\n  \u003cdiv\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eCAST\u003c\/h3\u003e\n    \u003cp\u003e\n      Filippo II – \u003cstrong\u003eGottlob Frick\u003c\/strong\u003e\u003cbr\u003e\n      Elisabetta di Valois – \u003cstrong\u003eClaire Watson\u003c\/strong\u003e\u003cbr\u003e\n      Don Carlo – \u003cstrong\u003eJames King\u003c\/strong\u003e\u003cbr\u003e\n      Rodrigo, Marchese di Posa – \u003cstrong\u003eThomas Tipton\u003c\/strong\u003e\u003cbr\u003e\n      Principessa d'Eboli – \u003cstrong\u003eDagmar Naaf\u003c\/strong\u003e\u003cbr\u003e\n      Il Grande Inquisitore – \u003cstrong\u003eKurt Böhme\u003c\/strong\u003e\u003cbr\u003e\n      Il Conte di Lerma – \u003cstrong\u003eWalter Carnuth\u003c\/strong\u003e\u003cbr\u003e\n      Un Frate – \u003cstrong\u003eHans Hermann Nissen\u003c\/strong\u003e\u003cbr\u003e\n      Voce dal Cielo – \u003cstrong\u003eAntonia Fahberg\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eDETAILS\u003c\/h3\u003e\n    \u003cp\u003e\n      Location: \u003cstrong\u003eMünchen\u003c\/strong\u003e\u003cbr\u003e\n      Date: \u003cstrong\u003eDecember 15, 1965\u003c\/strong\u003e\u003cbr\u003e\n      Conductor: \u003cstrong\u003eHeinrich Bender\u003c\/strong\u003e\u003cbr\u003e\n      Catalogue Number: \u003cstrong\u003eOD 12418-2\u003c\/strong\u003e\u003cbr\u003e\n      Label: \u003cstrong\u003eOpera Depot\u003c\/strong\u003e\u003cbr\u003e\n      Number of Discs: \u003cstrong\u003e2\u003c\/strong\u003e\u003cbr\u003e\n      \u003cstrong\u003eIn Mono\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":67585690206529,"sku":"12418-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":67585690239297,"sku":"MP3 12418-2","price":9.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":67585690272065,"sku":"FLAC 12418-2","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/12418-2front.jpg?v=1790530110"},{"product_id":"rossini-guglielmo-tell-gedda-mittelmann-marton-muti","title":"Rossini: Guglielmo Tell - Gedda, Mittelmann, Marton; Muti. Firenze, 1972","description":"\u003cdiv class=\"two-column-grid\"\u003e\n  \u003c!-- Left Column: Title, Composer, Description --\u003e\n  \u003cdiv\u003e\n    \u003ch1 class=\"title-header\" style=\"font-size: 18px; font-family: Baskerville; font-style: italic; color: #330065; font-weight: normal; text-transform: none;\"\u003eGuglielmo Tell\u003c\/h1\u003e\n    \u003cp\u003e\u003cstrong\u003eGioachino Rossini (1792 - 1868)\u003c\/strong\u003e\u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eDESCRIPTION\u003c\/h3\u003e\n    \u003cp\u003eBefore his legendary tenure at La Scala, \u003cstrong\u003eRiccardo Muti\u003c\/strong\u003e proved a transformative force in Florence, both in his programming and casting, as well as in the affinity he displayed for works from the bel canto repertoire and beyond. In Rossini's final masterpiece, \u003ci\u003eGuillaume Tell\u003c\/i\u003e, Muti finds the perfect balance between the momentum toward the works of Donizetti and Verdi and Rossini's quintessentially Classical approach. His musical choices are varied and specific, and he sustains the momentum of this uncut performance from the overture through the opera's rapturous final scene.\u003c\/p\u003e\n    \u003cp\u003eTo a certain extent, he could hardly fail with the cast assembled for this performance. \u003cstrong\u003eNicolai Gedda\u003c\/strong\u003e is fearless as Arnoldo, displaying extraordinary high notes that I frankly did not know he possessed. \u003cstrong\u003eEva Marton\u003c\/strong\u003e is equally striking as Matilde. Heard here years before she would come to dominate the dramatic soprano repertoire, she demonstrates a delicacy of sound that suggests she could easily have become a bel canto specialist on the level of Joan Sutherland. \u003cstrong\u003eNorman Mittelmann\u003c\/strong\u003e, in the title role, balances the character's bluster with a persuasive fatherly warmth.\u003c\/p\u003e\n    \u003chr class=\"mobile-only-hr\"\u003e\n  \u003c\/div\u003e\n  \u003c!-- Right Column: Cast and Details --\u003e\n  \u003cdiv\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eCAST\u003c\/h3\u003e\n    \u003cp\u003e\n      Guglielmo Tell – \u003cstrong\u003eNorman Mittelmann\u003c\/strong\u003e\u003cbr\u003e\n      Arnoldo – \u003cstrong\u003eNicolai Gedda\u003c\/strong\u003e\u003cbr\u003e\n      Matilde – \u003cstrong\u003eEva Marton\u003c\/strong\u003e\u003cbr\u003e\n      Pescatore – \u003cstrong\u003eVittorio Terranova\u003c\/strong\u003e\u003cbr\u003e\n      Rodolfo – \u003cstrong\u003eDino Forminchini\u003c\/strong\u003e\u003cbr\u003e\n      Gualtiero – \u003cstrong\u003eAgostino Ferrin\u003c\/strong\u003e\u003cbr\u003e\n      Gessler – \u003cstrong\u003eLuigi Roni\u003c\/strong\u003e\u003cbr\u003e\n      Melchtal – \u003cstrong\u003eMario Rinaudo\u003c\/strong\u003e\u003cbr\u003e\n      Leutoldo – \u003cstrong\u003eGiorgio Giorgetti\u003c\/strong\u003e\u003cbr\u003e\n      Jemmy – \u003cstrong\u003eMaria Casula\u003c\/strong\u003e\u003cbr\u003e\n      Edwige – \u003cstrong\u003eFlora Rafanelli\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eDETAILS\u003c\/h3\u003e\n    \u003cp\u003e\n      Location: \u003cstrong\u003eFirenze\u003c\/strong\u003e\u003cbr\u003e\n      Date: \u003cstrong\u003eMay 1972\u003c\/strong\u003e\u003cbr\u003e\n      Conductor: \u003cstrong\u003eRiccardo Muti\u003c\/strong\u003e\u003cbr\u003e\n      Catalogue Number: \u003cstrong\u003eOD 12419-3\u003c\/strong\u003e\u003cbr\u003e\n      Label: \u003cstrong\u003eOpera Depot\u003c\/strong\u003e\u003cbr\u003e\n      Number of Discs: \u003cstrong\u003e3\u003c\/strong\u003e\u003cbr\u003e\n      \u003cstrong\u003eIn Mono\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":67585690304833,"sku":"12419-3","price":26.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":67585690337601,"sku":"MP3 12419-3","price":14.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":67585690370369,"sku":"FLAC 12419-3","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/12419-3front.jpg?v=1790530112"},{"product_id":"beethoven-fidelio-zadek-kozub-christoff-von-rohr-sciutti-maazel","title":"Beethoven: Fidelio - Zadek, Kozub, Christoff, von Rohr, Sciutti; Maazel. Roma, 1964","description":"\u003cdiv class=\"two-column-grid\"\u003e\n  \u003c!-- Left Column: Title, Composer, Description --\u003e\n  \u003cdiv\u003e\n    \u003ch1 class=\"title-header\" style=\"font-size: 18px; font-family: Baskerville; font-style: italic; color: #330065; font-weight: normal; text-transform: none;\"\u003eFidelio\u003c\/h1\u003e\n    \u003cp\u003e\u003cstrong\u003eLudwig van Beethoven (1770 - 1827)\u003c\/strong\u003e\u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eDESCRIPTION\u003c\/h3\u003e\n    \u003cp\u003eThe combination of musical exactitude and stylistic taste made Beethoven a particularly good fit for conductor \u003cstrong\u003eLorin Maazel\u003c\/strong\u003e. He brings both qualities to this performance of \u003ci\u003eFidelio\u003c\/i\u003e, while investing the score with the infectious optimism that allows the opera to come fully to life.\u003c\/p\u003e\n    \u003cp\u003eIn the title role, \u003cstrong\u003eHilde Zadek\u003c\/strong\u003e brings a formidable technique, though her voice lacks the degree of Classical polish that is my preference in this opera. \u003cstrong\u003eErnst Kozub\u003c\/strong\u003e, however, proves an ideal Florestan, approaching his daunting opening aria with the fearless virility of a true Wagnerian tenor while displaying vocal control that would be the envy of many a Mozart specialist.\u003c\/p\u003e\n    \u003cp\u003e\u003cstrong\u003eBoris Christoff\u003c\/strong\u003e, a noted Rocco, here takes the role of Pizarro and demonstrates that, despite his impressive credentials as one of the leading basso profundos of his day, he could navigate a baritone role with ease. \u003cstrong\u003eGraziella Sciutti\u003c\/strong\u003e's talents are somewhat wasted on Marzelline, but she brings her customary sparkle to the part, lending the character's domestic subplot with Jacquino greater interest.\u003c\/p\u003e\n    \u003chr class=\"mobile-only-hr\"\u003e\n  \u003c\/div\u003e\n  \u003c!-- Right Column: Cast and Details --\u003e\n  \u003cdiv\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eCAST\u003c\/h3\u003e\n    \u003cp\u003e\n      Florestan – \u003cstrong\u003eErnst Kozub\u003c\/strong\u003e\u003cbr\u003e\n      Leonore – \u003cstrong\u003eHilde Zadek\u003c\/strong\u003e\u003cbr\u003e\n      Don Pizarro – \u003cstrong\u003eBoris Christoff\u003c\/strong\u003e\u003cbr\u003e\n      Marzelline – \u003cstrong\u003eGraziella Sciutti\u003c\/strong\u003e\u003cbr\u003e\n      Rocco – \u003cstrong\u003eOtto von Rohr\u003c\/strong\u003e\u003cbr\u003e\n      Jaquino – \u003cstrong\u003ePaul Paeny\u003c\/strong\u003e\u003cbr\u003e\n      Don Fernando – \u003cstrong\u003eRudolf Knoll\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\" style=\"font-weight: bold; color: #330065; font-size: 21px;\"\u003eDETAILS\u003c\/h3\u003e\n    \u003cp\u003e\n      Location: \u003cstrong\u003eTeatro dell'Opera di Roma, Roma\u003c\/strong\u003e\u003cbr\u003e\n      Date: \u003cstrong\u003eFebruary 13, 1964\u003c\/strong\u003e\u003cbr\u003e\n      Conductor: \u003cstrong\u003eLorin Maazel\u003c\/strong\u003e\u003cbr\u003e\n      Catalogue Number: \u003cstrong\u003eOD 12413-2\u003c\/strong\u003e\u003cbr\u003e\n      Label: \u003cstrong\u003eOpera Depot\u003c\/strong\u003e\u003cbr\u003e\n      Number of Discs: \u003cstrong\u003e2\u003c\/strong\u003e\u003cbr\u003e\n      \u003cstrong\u003eIn Mono\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":67585691091265,"sku":"12413-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":67585691124033,"sku":"MP3 12413-2","price":9.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":67585691156801,"sku":"FLAC 12413-2","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/12413-2front.jpg?v=1790530114"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/collections\/New-Releases-Sep29-Square-1000.jpg?v=1790553663","url":"https:\/\/operadepot.com\/collections\/september-new.oembed","provider":"Opera Depot","version":"1.0","type":"link"}