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With a woman's voice you lose a touch of the ethereal quality, but Josephine Veasey's strong mezzo makes up for it by giving the role a gravitas and commanding presence that most countertenors can't muster. The rest of the cast includes Janet Baker as Hermia, Delme Bryn-Jones as Demetrius, Elizabeth Vaughan as Titania and Michael Langdon as Bottom. 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Besides the authenticity inherent in seeing an opera on its native soil, the intimacy of the theater gives the singers enormous freedom to color their voices in ways that would be impossible in large houses.  Dame Janet Baker as Dido is both regal and human.  Her voice shimmers and she is able to sing opera with the immediacy of a lieder recital.  She is supported by a superb cast of her countrymen and women including Yvonne Minton, Elizabeth Bainbridge and Ryland Davies.  The performance is conducted by Sir John Pritchard who seems to make no apologies for using rubato and other romantic nuances to help color the music.  The sound is excellent and I have included Dido's death scene from \u003cem\u003eLes Troyens\u003c\/em\u003e sung by Baker.  It is a very interesting counterpoint.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBONUS:\u003c\/strong\u003e\u003cbr\u003eJanet Baker sings Didon's death scene from \u003cem\u003eLes Troyens.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOD 10410-1\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292648587400,"sku":"10410-1","price":9.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098786948,"sku":"MP3 10410-1","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10410-1front.jpg?v=1751036961"},{"product_id":"verdi-macbeth-tinsley-burrows-balkwill","title":"Verdi: Macbeth (In English) - Tinsley, Lewis, Burrows; Balkwill.  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ENO, 1972","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eShortly before the performance, \u003cstrong\u003eReginald Goodall\u003c\/strong\u003e fell ill, leaving the cast in the very capable hands of \u003cstrong\u003eSir Charles Mackerras\u003c\/strong\u003e. Mackerras brings a fresh perspective that ignites the proceedings. While he nods to Goodall's preference for slower tempi, his pacing is more varied, injecting a vitality that was absent from Goodall's interpretation. One can only wonder what Mackerras might have achieved with the remaining three operas in the cycle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNorman Bailey\u003c\/strong\u003e delivers an excellent Wotan, his voice tireless and his diction crystal clear. \u003cstrong\u003eAnn Howard\u003c\/strong\u003e is a lush and commanding Fricka. 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I find her performance preferable to \u003cstrong\u003eMargaret Curphey’s\u003c\/strong\u003e; her voice is slender yet steely at the top and pairs wonderfully with Remedios.\u003c\/p\u003e\n\u003cp\u003eGoodall’s conducting, though unhurried, enhances the drama's momentum, allowing the music and text to breathe. The sound quality is good.\u003c\/p\u003e\n\u003cp\u003eOD 10563-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292643115144,"sku":"10563-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099202820,"sku":"MP3 10563-4","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10563-4front.jpg?v=1751036811"},{"product_id":"wagner-gotterdammerung-hunter-remedios-bailey-grant-goodall","title":"Wagner: Götterdämmerung (In English) - Hunter, Remedios, Grant, Bailey, Hammond-Stroud; Goodall.  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Fortunately, Goodall had at his disposal singers with both the technique to sustain long phrases and the musical commitment to fully engage with the line of the music, no matter how long.\u003c\/p\u003e\n\u003cp\u003eFor me, the standout of this performance is \u003cstrong\u003eAlberto Remedios\u003c\/strong\u003e as Siegfried. His voice strikes the perfect balance between lyricism and heft, and he sings with remarkable intelligence, resisting the temptation to force his voice over the orchestra. \u003cstrong\u003eRita Hunter\u003c\/strong\u003e is simply a force of nature as Brünnhilde. Her performance unmistakably reveals the connection between Wagner and Bellini, as she masterfully spins Wagner’s expansive vocal lines, made even longer by Goodall’s pacing.\u003c\/p\u003e\n\u003cp\u003eAs Hagen, \u003cstrong\u003eClifford Grant\u003c\/strong\u003e replaces \u003cstrong\u003eAuge Haugland\u003c\/strong\u003e. 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The young \u003cstrong\u003eMargaret Price\u003c\/strong\u003e is radiant as Pamina, her voice opulent and effortless. \u003cstrong\u003eStuart Burrows\u003c\/strong\u003e brings dignity and elegance to Tamino. \u003cstrong\u003eCristina Deutekom’s\u003c\/strong\u003e Queen of the Night is simply awe-inspiring—imagine the power of an \u003cem\u003eElektra-\u003c\/em\u003esized voice with astonishing coloratura and a thrilling high F. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Ward\u003c\/strong\u003e delivers Sarastro’s lines with mellifluous warmth and commanding gravitas. However, the true standout of this glittering cast may be \u003cstrong\u003eDelme Bryn-Jones\u003c\/strong\u003e. His magnificent voice, capable of rivaling the greatest baritones of any era, is well known to those familiar with his work. 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The alternate ending, which resembles the French version without the priests' chorus, is another intriguing feature.\u003c\/p\u003e\n\u003cp\u003eIf these elements aren’t enough to spark interest, the cast is a lineup of some of the greatest English singers of their era. \u003cstrong\u003eRita Hunter\u003c\/strong\u003e delivers a stunning performance as Elisabetta, her voice luxuriating in Verdi’s sweeping legato lines while cutting through with striking intensity in her spinto moments. \u003cstrong\u003eTom Swift\u003c\/strong\u003e is an excellent Don Carlo, singing with intelligence and sincerity as he navigates the role within the limits of his lyric instrument. \u003cstrong\u003eGwynne Howell\u003c\/strong\u003e brings a slightly woolly tone to King Philip but rises to great dramatic heights in his confrontation with the Grand Inquisitor, portrayed commandingly by \u003cstrong\u003eRichard Van Allen\u003c\/strong\u003e. \u003cstrong\u003eMaureen Guy\u003c\/strong\u003e delivers a fiery and wild Eboli.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNow for the bad news: the muffled sound quality often makes it challenging for the English text to come through clearly.\u003c\/p\u003e\n\u003cp\u003eOD 10604-3\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292641280136,"sku":"10604-3","price":26.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099094276,"sku":"MP3 10604-3","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10604-3front.jpg?v=1751036756"},{"product_id":"verdi-simon-boccanegra-barstow-bryn-jones","title":"Verdi: Simon Boccanegra (In English) - Delme-Jones, Barstow, Erwin, Robinson, Allen; Lockhart.  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The singers not only deliver clear diction but also demonstrate a profound understanding of Verdi’s Italian style and sentiment, ensuring that the composer’s voice remains intact despite the change in language.\u003c\/p\u003e\n\u003cp\u003eIn the title role is the criminally underrepresented \u003cstrong\u003eDelme Bryn-Jones\u003c\/strong\u003e, a true Verdi baritone with the sensitivity and nuance often associated with the finest British singers. \u003cstrong\u003eJosephine Barstow\u003c\/strong\u003e takes on the role of Maria\/Amelia, and while her vocal production may be \"unique,\" she proves her mastery by spinning Verdi’s legato lines with exquisite finesse. 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Bailey, who was also exploring Wagnerian territory, still manages to deliver a beautifully shaped \u003cem\u003eIl balen\u003c\/em\u003e, followed by a tireless cabaletta.\u003c\/p\u003e\n\u003cp\u003eThough less widely known, \u003cstrong\u003eJon Sydney\u003c\/strong\u003e as Manrico and \u003cstrong\u003eGabrielle Lavigne\u003c\/strong\u003e as Azucena hold their own alongside these operatic titans. \u003cstrong\u003eSir Charles Mackerras\u003c\/strong\u003e conducts a spirited and authentically Italianate performance. Notable features of this recording include the complete cabaletta after \u003cem\u003eTacea la notte\u003c\/em\u003e and an alternate beginning to Act III, including a rarely heard ballet. 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The singers deliver impeccable diction, and one can hear echoes of British theatrical traditions, reaching back to Shakespearean elocution. \u003cstrong\u003eCharles Craig\u003c\/strong\u003e portrays Chénier with a compelling blend of sweetness and power. \u003cstrong\u003eVictoria Elliot\u003c\/strong\u003e takes on Maddalena, and while her voice may not have the lushness of \u003cstrong\u003eRenata Tebaldi\u003c\/strong\u003e or \u003cstrong\u003eAntonietta Stella\u003c\/strong\u003e, she captures the character’s youthful essence beautifully, without sacrificing intensity during the dramatic moments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Glossop\u003c\/strong\u003e is arguably the standout of the cast. His voice in this 1959 performance has a freshness and vitality that was less apparent in later years. 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At just six years old at the time of this performance, the opera was already making its mark on the operatic world. Having premiered in London a year after its world premiere, this production serves as a revival, showcasing an opera whose voice and performance traditions were beginning to take shape.\u003c\/p\u003e\n\u003cp\u003ePerformed in English, as was \u003cstrong\u003eFrancis Poulenc\u003c\/strong\u003e’s preference for the vernacular, the cast is led by the incomparable \u003cstrong\u003eHeather Harper\u003c\/strong\u003e as Blanche. Her luscious tone and crystal-clear diction bring depth and poignancy to the role. \u003cstrong\u003eJoan Carlyle\u003c\/strong\u003e takes on the part of Madame Lidoine, and while her voice lacks the gravitas of \u003cstrong\u003eRégine Crespin\u003c\/strong\u003e or \u003cstrong\u003eLeyla Gencer\u003c\/strong\u003e, it perhaps reflects a deliberate choice to portray a more youthful character. \u003cstrong\u003eSylvia Fisher\u003c\/strong\u003e delivers a fiery and commanding Mere Marie, channeling brimstone and fervor, yet she is deeply moving in her final scene, where she confronts the heartbreak of being left behind as her sisters embrace martyrdom. \u003cstrong\u003eJeanette Sinclair\u003c\/strong\u003e shines as Constance, and there is a cameo by a very young \u003cstrong\u003eGwyneth Jones\u003c\/strong\u003e as Sister Mathilde.\u003c\/p\u003e\n\u003cp\u003eThe sound quality is fair, with some muffling that occasionally obscures the text, but it remains a valuable document of a pivotal moment in the opera's early performance history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBonus:\u003c\/strong\u003e\u003cbr\u003eExcerpts from the World Premiere of \u003cem\u003eDialogues of the Carmelites\u003c\/em\u003e in Italian featuring Zeani, Gencer, Frazzoni, Pederzini \u0026amp; Ratti\u003cbr\u003eLa Scala, 1957\u003c\/p\u003e\n\u003cp\u003eOD 10626-3\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292640034952,"sku":"10626-3","price":26.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098753540,"sku":"MP3 10626-3","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10626-3front.jpg?v=1751036718"},{"product_id":"shostakovich-katerina-ismailova-collier-craig-kelly-langdon-downes","title":"Shostakovich: Katerina Ismailova (In English) - Collier, Craig, Kraus, Kelly, Langdon; Downes. 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The English National Opera wisely cast the supporting roles with larger voices to complement Barstow’s distinctive timbre.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Brecknock\u003c\/strong\u003e, though not possessing an overtly Italianate sound, successfully alternates between sweet lyricism and dramatic intensity over the course of the performance. \u003cstrong\u003eNeil Howlett\u003c\/strong\u003e delivers a strong and convincing Germont, while \u003cstrong\u003eSarah Walker\u003c\/strong\u003e brings charm and vibrancy to the often-overlooked role of Flora.\u003c\/p\u003e\n\u003cp\u003eThe sound is decent but slightly distant. 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British baritone \u003cstrong\u003eBenjamin Luxon\u003c\/strong\u003e takes on Onegin, delivering a compelling portrayal that balances aristocratic poise with youthful energy and a touch of frustrated ennui. \u003cstrong\u003eKiri Te Kanawa\u003c\/strong\u003e shines as Tatiana, her voice youthful and bright, yet infused with dusky tones that hint at an inner sensuality, even in the first act when Tatiana is still a young girl.\u003c\/p\u003e\n\u003cp\u003eThey are joined by an outstanding supporting cast, including \u003cstrong\u003eStuart Burrows\u003c\/strong\u003e as Lensky. Given the opportunity to tackle a weightier role, Burrows reveals a vocal heft not typically associated with his work in Mozart. \u003cstrong\u003eGillian Knight\u003c\/strong\u003e, \u003cstrong\u003eGwynne Howell\u003c\/strong\u003e, and \u003cstrong\u003eHeather Begg\u003c\/strong\u003e round out the ensemble beautifully as Olga, Gremin, and Larina, respectively.\u003c\/p\u003e\n\u003cp\u003eThe sound quality is fair.\u003c\/p\u003e\n\u003cp\u003eOD 10639-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292639543432,"sku":"10639-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099067588,"sku":"MP3 10639-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10639-2front.jpg?v=1751036697"},{"product_id":"puccini-tosca-barstow-chard-collins-tomlinson-elder","title":"Puccini: Tosca (In English) - Barstow, Collins, Chard, Tomlinson; Elder.  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Price, Jones, Vickers and many more!","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eI’m convinced that if Wagner were to attend a performance of \u003cem\u003eThe Ring\u003c\/em\u003e at the Metropolitan Opera, his first question would be, “Why are you performing this in German and not English?” After all, when Wagner was coming of age Germany, he likely never heard \u003cem\u003eLe Nozze di Figaro\u003c\/em\u003e or \u003cem\u003eNorma\u003c\/em\u003e performed in their original languages. While I’m not advocating for opera to be exclusively performed in the vernacular, hearing a work like \u003cem\u003eLa Bohème\u003c\/em\u003e sung in your native tongue can be a revelation. 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His voice possesses an elegance that \u003cstrong\u003eNorman Bailey’s\u003c\/strong\u003e lacked, though to be fair, Garrard’s interpretation feels slightly more restrained compared to Bailey’s dynamic presence.\u003c\/p\u003e\n\u003cp\u003eThe Siegfried Brünnhilde, though shorter than her counterparts in other \u003cem\u003eRing\u003c\/em\u003e operas, remains a formidable challenge for any soprano. \u003cstrong\u003eRita Hunter\u003c\/strong\u003e rises to the occasion effortlessly, delivering precise high notes, opulent tone, and radiant beauty, making this demanding role appear deceptively easy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGregory Dempsey’s\u003c\/strong\u003e Mime exemplifies everything remarkable about a great English tenor and character artist. His nuanced attention to the text is so extraordinary that at times, it evokes the feeling of a Vaughan Williams art song. He balances sympathy and revulsion in his portrayal with impressive finesse. Similarly, \u003cstrong\u003eDerek Hammond-Stroud\u003c\/strong\u003e as Alberich paints the character with broader strokes, delivering a performance rich in intensity and depth.\u003c\/p\u003e\n\u003cp\u003eA special mention must go to the woodbird, sung by the incomparable \u003cstrong\u003eValerie Masterson\u003c\/strong\u003e, a delightful addition and a significant improvement over the EMI recording.\u003c\/p\u003e\n\u003cp\u003eAs exceptional as the individual performances are, the overall production surpasses the sum of its parts. This is due in no small part to the chemistry among the performers, many of whom had long-standing relationships—\u003cstrong\u003eRita Hunter\u003c\/strong\u003e and \u003cstrong\u003eAlberto Remedios\u003c\/strong\u003e, for example, were schoolmates—and the masterful direction of \u003cstrong\u003eReginald Goodall\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWagner’s music, when performed at the deliberate tempos chosen here, can feel lethargic in less capable hands. However, Goodall manages to slow time while maintaining forward momentum. His approach allows the singers to luxuriate in their vocal lines and reveals the intricate beauty of Wagner’s harmonies and orchestration.\u003c\/p\u003e\n\u003cp\u003eThe sound quality is excellent, ensuring every word of the English text is clearly audible. The only minor flaw is the occasional scratchiness at the beginning of Act I, likely a result of the transfer from LP. For those who remember well-loved records, this is a nostalgic quirk. The remainder of the performance is free of such imperfections.\u003c\/p\u003e\n\u003cp\u003eThis production is a treasure, offering a deeply satisfying blend of vocal mastery, ensemble chemistry, and inspired conducting. It is a must-have for Wagner enthusiasts and lovers of English opera alike.\u003c\/p\u003e\n\u003cp\u003eOD 10645-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292639051912,"sku":"10645-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099250948,"sku":"MP3 10645-4","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10645-4front.jpg?v=1751036691"},{"product_id":"strauss-ariadne-auf-naxos-meier-stapp-wise-ramey","title":"Strauss: Ariadne auf Naxos (In German \u0026 English) - J. 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London, 1974","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eLeoš Janáček\u003c\/strong\u003e never intended his best-known opera to be called \u003cem\u003eJenůfa\u003c\/em\u003e. That title was coined by German opera houses, early champions of the work. Janáček's original title, \u003cem\u003eJejí pastorkyňa\u003c\/em\u003e (\"Her Stepdaughter\"), makes it clear where he thought the opera’s focus should lie: on Kostelnička. Performances like this one, featuring the incomparable \u003cstrong\u003eAmy Shuard\u003c\/strong\u003e in the \"title role\" of Kostelnička, illustrate why.\u003c\/p\u003e\n\u003cp\u003eShuard portrays Kostelnička not as a stern dowager but as a fragile woman whose obsession with societal norms and fierce protectiveness of Jenůfa drive her to unthinkable acts. \u003cstrong\u003eWendy Fine\u003c\/strong\u003e is excellent in the titular role of Jenůfa, her voice youthful yet rich, capturing the character's intelligence and strength despite her age and past mistakes. \u003cstrong\u003eWilliam Cochran\u003c\/strong\u003e is also outstanding as Laca, bringing depth and complexity to his role.\u003c\/p\u003e\n\u003cp\u003eThe sound quality is good.\u003c\/p\u003e\n\u003cp\u003eOD 10705-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292637053064,"sku":"10705-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098698500,"sku":"MP3 10705-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10705-2front.jpg?v=1751036619"},{"product_id":"benjamin-a-tale-of-two-cities-shuard-harper-young-lewis-langdon","title":"Benjamin: A Tale of Two Cities - Shuard, Harper, Young, Lewis, Langdon; Lovett.  London, 1957","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eI had no idea what to expect when I came across this recording, except that regardless of how the work turned out, I could at least count on some excellent singing. I was pleasantly surprised by how enjoyable this opera is. \u003cstrong\u003eArthur Benjamin\u003c\/strong\u003e's musical approach may not be the most innovative, but he demonstrates a clear understanding of how to craft a well-paced drama with exciting moments and memorable melodies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmy Shuard\u003c\/strong\u003e is particularly compelling as Madame Defarge, while \u003cstrong\u003eHeather Harper\u003c\/strong\u003e excels as Lucie Mannette and \u003cstrong\u003eAlexander Young\u003c\/strong\u003e shines as Charles Darnay. This opera seems overdue for a revival, and anyone who enjoys the novel will likely appreciate this musical adaptation. The sound quality is good.\u003c\/p\u003e\n\u003cp\u003eOD 10714-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292636823688,"sku":"10714-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098605700,"sku":"MP3 10714-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10714-2front.jpg?v=1751036611"},{"product_id":"strauss-der-rosenkavalier-dernesch-baker-harwood-gibson","title":"Strauss: Der Rosenkavalier (In English) - Dernesch, Baker, Harwood, Mangin, Hemlsey; Gibson.  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Not only does she sing the role beautifully, but her English diction is remarkably clear, and her delivery feels so natural that you might almost believe you were listening to a native speaker. The sound quality is excellent.\u003c\/p\u003e\n\u003cp\u003eOD 10716-3\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292636758152,"sku":"10716-3","price":26.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098811908,"sku":"MP3 10716-3","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10716-3front_54fe933a-f482-4b1c-abc6-11653a6513fb.jpg?v=1751036609"},{"product_id":"offenbach-les-contes-d-hoffmann-placido-domingo-bevery-sills-norman-treigle","title":"Offenbach: Les Contes d'Hoffmann (In English) - Domingo, Sills, Treigle, Castel; Alessandro.  1968","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eFrom her first entrance, it’s clear the audience adored Beverly Sills, and she delivers a dazzling performance. She navigates the vocal gymnastics of the Olympia scene with ease and brings alluring sensuality to the Giulietta scene. Norman Treigle brings his signature dignity and excellent diction to the villainous roles.\u003c\/p\u003e\n\u003cp\u003eThe sound quality is good.\u003c\/p\u003e\n\u003cp\u003eOD 10720-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292636594312,"sku":"10720-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098747396,"sku":"MP3 10720-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10720-2front.jpg?v=1751036603"},{"product_id":"berg-wozzeck-evans-horne-kraus-mcdonald-pritchard","title":"Berg: Wozzeck (In English) - Evans, Horne, Kraus, MacDonald, Kraus; Pritchard.  London, 1964","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eI was thrilled to discover a \u003cem\u003eWozzeck\u003c\/em\u003e featuring Sir Geraint Evans and Marilyn Horne, and even more delighted to find that this recording is in English—a particular passion of mine, as regular visitors to my site will know. I’m happy to report that this recording not only lives up to its immense promise but also offers a transformative experience. For English speakers who think they know this opera well, it may completely change the way you hear it.\u003c\/p\u003e\n\u003cp\u003eThe performers are exceptional actors with impeccable diction, and there are moments when it feels more like a play with music than an opera (which, of course, aligns with the intent of \u003cem\u003eSprechstimme\u003c\/em\u003e). Horne is superb as Marie, bringing an earthy realism that suits the role perfectly. Sir Geraint Evans delivers one of the most refined Wozzecks I’ve encountered, making his moments of violence all the more heartbreaking in their desperation. The supporting cast is equally strong, with Otakar Krauss particularly standing out as the Doctor.\u003c\/p\u003e\n\u003cp\u003eUnder Sir John Pritchard's baton, Berg's masterpiece comes alive with both savage intensity and haunting beauty. I'm also pleased to report that the sound quality is excellent.\u003c\/p\u003e\n\u003cp\u003eOD 10736-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292636102792,"sku":"10736-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098606276,"sku":"MP3 10736-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10736-2front_d53382e4-25cd-4c4d-9c30-751f9f5280e7.jpg?v=1751036579"},{"product_id":"wagner-die-meistersinger-von-nurnberg-bailey-byrne-curphey-hammond-stroud-goodall","title":"Wagner: Die Meistersinger von Nürnberg (In English) - Bailey, Byrne, Curphey, Hammond-Stroud; Goodall.  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Norman Bailey seems completely at ease for the entire evening and brings an avuncular warmth to the cobbler. Margaret Curphey, as Eva, brings a lush, if somewhat mature sound to the role of Eva along coupled with Girlish charm. Connell Byrne replaces Alberto Remedios as Walther. His voice is youthful and has a quality that brought to mind Windgassen. Occasionally Goodall's broad tempi get the better of him, especially in the scene where Walther and Sachs are composing the Meisterlied, but he manages to regroup and delivers a \u003cem\u003ePreislied\u003c\/em\u003e worthy of a Mastersinger. The sound is superb.\u003c\/p\u003e\n\u003cp\u003eOD 10770-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292634398856,"sku":"10770-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099189060,"sku":"MP3 10770-4","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10770-4front.jpg?v=1751036533"},{"product_id":"puccini-la-rondine-brooks-mcdonald-welting","title":"Puccini: La Rondine (In English) - Brooks, McDonald, Welting, Atherton, Smith; Rosenkranz.  1973","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eIf it weren't for live recordings, wonderful singers like Patricia Brooks would be all but forgotten today. Having never quite broken out of the regional American opera scene, the all-important record contracts never quite came her way. Still, she had a devoted fan-base who followed her for both the opulence of her voice and her non-fussy sincere approach to every character that she portrayed. Although the sound is far from ideal on this English-Language\u003cem\u003e La Rondine\u003c\/em\u003e, it still demonstrates her brilliance. Sadly, Brooks had to curtail her career while still in her prime due to multiple sclerosis. Perhaps if she had continued she would have ultimately reached the level of stardom worthy of her talents. 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Georg Solti demonstrates a deep understanding of Britten's musical language, amplifying the dramatic intensity of the opera to often gut-wrenching effect. Forbes Robinson delivers a wonderfully villainous Claggart. The sound is excellent. At times the announcer interjects brief descriptions before each scene. Depending on your point of view this can either be irritating or helpful.\u003c\/p\u003e\n\u003cp\u003eOD 10873-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292629778568,"sku":"10873-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098616388,"sku":"MP3 10873-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10873-2front.jpg?v=1751036402"},{"product_id":"berg-wozzeck-walters-wolkowsky-sinclair-kleiber","title":"Berg: Wozzeck (In English) - Walters, Wolkowsky, Sinclair, Hannesson, Jones, Dalberg; E. Kleiber","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis complete performance is notable for two reasons:  the opera is sung in English and  it is conducted by the great Erich Kleiber.  English speakers will appreciate the immediacy of hearing this great drama in the vernacular and lovers of great conducting will marvel at the lightness and transparency that Kleiber brings to Berg's savagely beautiful score.  Kleiber makes the complexities of the score seem almost effortless, and whereas so many conductors seem to approach the piece as a math puzzle, Kleiber shows that there is a strong organic quality to the score that is greater than mixed-meters and tone rows.   The cast is very strong.  Jess Walters brings a nobility and thoughtfulness to the title roles even at the moments when the character is seemingly becoming undone.  Marea Wolkowsky is a sensual Marie.  Parry Jones stands out as the Captain.  The sound is far from perfect, having been transferred from LPs but the performances comes through.  If this is your first recording of \u003cem\u003eWozzeck\u003c\/em\u003e I might steer you clear but if you love this opera you will find this interpretation invaluable.  As a bonus I have included a performance of Act II of \u003cem\u003eWozzeck\u003c\/em\u003e sung in German from 1934 conducted by Adrian Boult (it is remarkable to think that the composer was still alive when it was made!)  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London, 1965","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003e\u003cem\u003eMoses und Aron\u003c\/em\u003e is certainly a more challenging work that \u003cem\u003eWozzeck\u003c\/em\u003e both dramatically and musically.  The music lacks the atavistic romanticism of Berg's score and the drama does not have the same kind of power.  That is not to say that this opera is any less of a satisfying experience.  The colors Schoenberg creates have an otherworldly quality much like the Rite of Spring.  For example, in the opening scene Moses is depicted speaking to God through the burning bush.  Schoenberg sets the voice of God as a six voice choir juxtaposed with a chorus of children singing in \u003cem\u003eSprechstimme\u003c\/em\u003e.  The effect is mesmerizing.   Although I have seen this opera live twice now, I don't think it has ever really made sense to me until I came across this performance.  This is due mostly to the fact that it is sung in English.  When you hear \u003cem\u003eSprechstimme\u003c\/em\u003e in your native tongue you will find that the style begins to make sense and Forbes Robinson, as Moses, seems devoted to the idea of approaching this style as if it were a spoken play with music underneath even to the detriment of his otherwise mellifluous bass voice.  Richard Lewis's charismatic tenor makes him a wonderful counterpart as Aron to the otherwise taciturn Moses.  The rest of the cast includes such notable up-and-coming singers as Maureen Guy, Yvonne Minton, Gwyneth Jones and Delme Bryn-Jones.  It is to Sir Georg Solti's enormous credit that he would not only tackle this very thorny score but he could find music and even at times lyricism within it.  The sound is very good.\u003c\/p\u003e\n\u003cp\u003eOD 10881-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292629549192,"sku":"10881-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098804420,"sku":"MP3 10881-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10881-2front.jpg?v=1751036394"},{"product_id":"poulenc-dialogues-of-the-carmelites-morison-sutherland-watson-fisher-kubelik","title":"Poulenc: Dialogues of the Carmelites (In English) - Morison, Sutherland, Watson, Fisher, Veasey; Kubelik.  London, 1959","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis performance represents U.K. premiere of Poulenc's \u003cem\u003eDialogues of the Carmelites.\u003c\/em\u003e For the occasion Covent Garden arranged a strong cast of singers young and old, including a young, and still unknown, Joan Sutherland as Mme Lidoine. Poulenc's melodies are miles away from the world of bel canto, but Sutherland nonetheless makes a strong impression. Her voice possesses both an angelic innocence and an imposing command which gives the part of the second prioress vivid life. In the role of Blanche, Elsie Morison brings a lushness of tone and great diction conveying both the character's fears and strength beautifully. It is such a joy to hear Jeanette Sinclair as Sister Constance as her voice has a little more substance to it than the chirpy sopranos who are usually cast in this part. Other stand-outs include Sylvia Fisher as a formidable mother Marie, and Jean Watson as the Old Prioress. Rafael Kubelik does a masterful job of balancing the romanticism and restraint of this mystical opera. The sound is generally pretty good although in the third act just before the final scene there is a stretch of about thirty minutes where the sound is muffled.\u003c\/p\u003e\n\u003cp\u003eOD 10892-3\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292629155976,"sku":"10892-3","price":26.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098753668,"sku":"MP3 10892-3","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10892-3front.jpg?v=1751036383"},{"product_id":"strauss-die-schweigsame-frau-holt-ward-macdonald-vaughan-kempe","title":"Strauss: Die schweigsame Frau (In English) - Ward, Holt, MaCDonald, Sinclair, Vaughan, Berry; Kempe.  London, 1961","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eIf you have never given \u003cem\u003eDie schweigsame Frau\u003c\/em\u003e a chance, now is your opportunity! The opera is based loosely on the same premise as \u003cem\u003eDon Pasquale\u003c\/em\u003e and flirts with all the same ideas of class and geriatric delusion. And although Strauss does tip his hat to a style that seems born out of the old tradition of opera buffo, he was not about to shortchange the audience on orchestral color and rich harmonies. It was quite wise for the Britons to present this performance in English as it gives the witty libretto a chance to shine, especially when in the hands of some first rate English singers. As Sir Morosus, the excellent bass-baritone, David Ward, gets a chance to display his cheeky side. Barbara Holt manages a demure and shrinking Aminta and then unleashes a monster of Elektra-sized proportions. She also congers up some lovely lyrical singing with tenor Kenneth MacDonald. MacDonald deserves double kudos for both his lovely lyric tenor as well as his keen skills as an actor. 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Rafael Kubelik does much with the notable interludes as well as deftly pacing the drama and bridling the orchestra so that Pears was not overwhelmed. 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London, 1973","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eMy regulars here all know that I have a soft sport for opera in English and if ever there was a recording that exemplified the merits of opera in English this is it! Not only is the sound crystalline, but the diction of the singers is first-rate, to the point that in compiling the track info, I didn't even have to refer to the score, I just took it as dictation. The cast is lead by Lorna Haywood in the title role. Haywood was a regular at Sadler's Wells and Covent Garden. Her voice was lyrical in nature but it had reserves of power that allowed her to dabble in roles like Sieglinde. She came along just after Marie Collier's death left a void in the world of Janacek and she went on to sing in \u003cem\u003eThe Makropulos Case, Jenufa\u003c\/em\u003e and \u003cem\u003eThe Excursions of Mr. Broucek.\u003c\/em\u003e Sylvia Fisher sings the formidable Kabanicha. Although well past her prime, her austere presence in this part is nonetheless bone-chilling. Charles Mackerras not only conducts but is responsible for the critical edition used in this performance. The sound is excellent.\u003c\/p\u003e\n\u003cp\u003eOD 10904-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292628107400,"sku":"10904-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098704708,"sku":"MP3 10904-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10904-2front.jpg?v=1751036368"},{"product_id":"britten-peter-grimes-vickers-harper-evans-davis","title":"Britten: Peter Grimes - Vickers, Harper, Evans, Bainbridge, Watts, Barstow, Bryn-Jones; Davis.  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The cast is peppered with a panoply of great British singers including Elizabeth Bainbridge, Forbes Robinson, Delme Bryn-Jones, Helen Watts and even a young Josephine Barstow as one of the Nieces. The sound is very good.\u003c\/p\u003e\n\u003cp\u003eOD 10953-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292627517576,"sku":"10953-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098619972,"sku":"MP3 10953-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10953-2front.jpg?v=1751036348"},{"product_id":"britten-billy-budd-ward-pears-langdon-britten","title":"Britten: Billy Budd - Ward, Pears, Langdon; Britten.  London, 1960","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis performance of \u003cem\u003eBilly Budd\u003c\/em\u003e is notable because it captures the great Peter Pears in the role of Captain Vere. Pears was no stranger to this role, having created it in 1951 and continuing to sing it up until the famous Met production in 1979. By 1960 his voice was still in excellent shape while his understanding of the role had deepened in the decade or so that had elapsed from the premiere. Simply put, he is chilling especially in the prologue and epilogue where he considers his actions\/mistakes as an old man. Joseph Ward delivers a virile and boisterous Billy. Michael Langdon's black bass is near perfect as Claggart. He is truly evil personified. Benjamin Britten displays a keen sense for his own score as well as a technique that must have been rock solid for him to navigate the architecture of this score. The sound is generally very good although there is some occasional interference.\u003c\/p\u003e\n\u003cp\u003eOD 10954-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292627484808,"sku":"10954-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098616516,"sku":"MP3 10954-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10954-2front.jpg?v=1751036347"},{"product_id":"britten-midsummer-night-dream-deller-pears-hemsley-robinson-britten","title":"Britten: A Midsummer Night's Dream (World Premiere) - Deller, Pears, Hemsley; Britten.  London, 1960","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis performance of \u003cem\u003eA Midsummer Night's Dream\u003c\/em\u003e came a day before the official world premiere. BBC wanted to make a recording, but their recording equipment couldn't be accommodated with an audience present. Benjamin Britten leads a dynamic and eclectic cast of great British singers including Alfred Deller (of Deller Consort fame) and his longtime collaborator and partner, Peter Pears. The cast and musicians demonstrates how quintessentially English this opera is from the opening children's chorus, to the use of a counter-tenor as Oberon (a practice dormant for hundreds of years) and the colloquial charm of the actors. The sound is very good.\u003c\/p\u003e\n\u003cp\u003eOD 10955-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292627452040,"sku":"10955-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098618884,"sku":"MP3 10955-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10955-2front.jpg?v=1751036346"},{"product_id":"janacek-the-excursions-of-mr-broucek-lorna-hawyood-charles-mackerras","title":"Janacek: The Excursions of Mr. Broucek (In English) - Haywood, Dempsey, Smith, Kale, Drake; Mackerras.  London, 1977","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eAlthough there is an element of the bizarre\/absurd in every one of Janaceks' Operas, \u003cem\u003eThe Excursions of Mr Broucek to the Moon and the 15th Century\u003c\/em\u003e is by far the most out there (the title says it all.) But don't be scared away, because this opera reveals that it is more than an absurdist exercise and amidst the insanity the opera does reveal its own brand of humanity. This performance was among Charles Mackerras's survey of Leos Janacek and boasts the excellent British soprano, Lorna Haywood, as Malinka, Etherea and Kunka. Haywood is a natural actress and apparently a very good sport (apparently she had to sing a good portion of the role suspended from wires.) Although the opera as a whole lacks the lyricism of \u003cem\u003eJenufa\u003c\/em\u003e it makes up for it in orchestral inventiveness as well as some beautifully delicate sonorities. The sound is very good.\u003c\/p\u003e\n\u003cp\u003eOD 10956-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292627419272,"sku":"10956-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098705220,"sku":"MP3 10956-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10956-2front.jpg?v=1751036345"},{"product_id":"britten-midsummer-nights-dream-oberlin-carlyle-evans-quilico-solti","title":"Britten: A Midsummer Night's Dream - Oberlin, Carlyle, Elkins, Evans, Quilico, Robinson, Langdon; Solti.  London, 1961","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003e\u003cem\u003eA Midsummer Night's Dream\u003c\/em\u003e had only had its world premiere one year before this performance took place. Interestingly enough instead of relying on the original singers, Covent Garden assembled an almost entirely new cast giving this young work an interesting new point of view. Russell Oberlin's ethereal countertenor is a perfect fit for the role of Oberon. Joan Carlyle offers a full-voiced Tytania (sadly these days this part has seemed to be relegated to the chirpiest of soubrette.) Sir Geraint Evans lends his earthy baritone and refined acting skills to the role of Bottom to hilarious effect. Sir Georg Solti does a masterful job at crafting this mysterious and delicate score. The sound is very good.\u003c\/p\u003e\n\u003cp\u003eOD 10958-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292627353736,"sku":"10958-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098619588,"sku":"MP3 10958-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10958-2front.jpg?v=1751036343"},{"product_id":"britten-gloriana-fisher-pears-vyvyan-robinson-herincx-fairfax","title":"Britten: Gloriana - Fisher, Pears, Vyvyan, Herincx, Robinson; Fairfax.  London, 1963","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eI have to admit something I am not proud of… For years I shied away from \u003cem\u003eGloriana\u003c\/em\u003e due to the Elizabethan setting. I assumed that Britten would have used it as an exercise in exploring outdated forms and would have turned it into an academic parade of puffy dresses and cod pieces. I could not have been more wrong. Although Britten does capture the Elizabethan flavor musically, this opera is one of the most dramatically raw of Britten's I have ever heard. It is based on Elizabeth I and her relationship with Robert Devereux. Britten creates a monarch who is both blood thirsty and tortured and provides and excellent vehicle for Sylvia Fisher in the title role. Although Peter Pears' voice may not be as dramatic as the writing demands, you never get the sense that we are being cheated as he more than makes up for it with his honest yet impassioned acting. The sound is very good.\u003c\/p\u003e\n\u003cp\u003eOD 10959-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292627320968,"sku":"10959-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098617924,"sku":"MP3 10959-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10959-2front.jpg?v=1751036342"},{"product_id":"britten-war-requiem-pears-shirley-quirk-jones-kubelik","title":"Britten: War Requiem - Jones, Pears, Shirley-Quirk; Kubelik.  München, 1976","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eAlthough any performance of the \u003cem\u003eWar Requiem\u003c\/em\u003e is a powerful experience, this occasion must have been doubly poignant as it took place just five days after Benjamin Britten's untimely death. It is a remarkable testament to Peter Pears' artistry that he was able to sing in this performance given Britten and his long artistic and personal association. The result is a very moving reading of of one of Britten's most emotional works. Although Pears' best years were well past, the tessitura of the part proves friendly enough and he delivers a sensitive and subtle performance. John Shirley-Quirk's virile voice proves an excellent counterpart to Pears (although one misses a German singer, a la Fischer-Dieskau, as it goes one step further in creating an allegory for World War II.) Gwyneth Jones voice soars over chorus and orchestra. Rafael Kubelik shows a knack for Britten's unique style. 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There is, however, a hint of British wit in the score, and of course Britten's musical invention and curiosity, but Britten also creates some beautiful folksy songs that sound like they could be out of any American Songbook. The cast assembled is very good. Peter Pears is a sure stand out, although he is less convincing as an American. A young Anthony Rolfe-Johnson displays heart-melting sweet voice in the role of Hot Biscuit Slim. The sound is very good.\u003c\/p\u003e\n\u003cp\u003eOD 10962-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292627189896,"sku":"10962-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098619652,"sku":"MP3 10962-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10962-2front_a8558105-e39d-4f79-9e9b-3fa7df40c9f3.jpg?v=1751036339"},{"product_id":"britten-albert-herring-macdonald-fisher-sinclair-davies","title":"Britten: Albert Herring - MaCDonald, Fischer, Sinclair, Vyvyan; Davies.  English Opera Group, 1962","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis recording from the English Opera Group, Britten's hand-picked troupe, goes a long way to advocate for the merits of Britten's comic opera. Kenneth MaCDonald brings an attractive and youthful voice to the title role. The supporting ensemble cast of colorful characters is well assembled, with Sylvia Fisher standing out as Lady Billows. Fisher brings a formidable mixture of Brünnhilde and Margaret Dumont to the role. The sound is very good.\u003c\/p\u003e\n\u003cp\u003eOD 10963-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292627157128,"sku":"10963-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098616196,"sku":"MP3 10963-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10963-2front.jpg?v=1751036338"},{"product_id":"britten-the-rape-of-lucretia-jon-vickers-ridout-monk-goldschmidt","title":"Britten: The Rape of Lucretia - Ridout, Vickers, Monk, Vernon, Corbeil; Goldschmidt.  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The sound is very good.\u003c\/p\u003e\n\u003cp\u003eOD 10964-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292627124360,"sku":"10964-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098620036,"sku":"MP3 10964-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10964-2front.jpg?v=1751036337"},{"product_id":"britten-death-in-venice-pears-shirley-quirk-bowman-bedford","title":"Britten: Death in Venice (World Premiere Cast) - Pears, Shirley-Quirk, Bowman; Bedford.  Aldeburgh, 1973","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eAs a young composer, Berg's \u003cem\u003eWozzeck\u003c\/em\u003e proved to be an important influence on Benjamin Britten. Although many of the themes of \u003cem\u003eWozzeck\u003c\/em\u003e reappear in his operas, Britten did not embrace 12-tone technique. However, \u003cem\u003eDeath in Venice\u003c\/em\u003e, Britten's last opera, seems to revisit Berg's masterpiece in a way that none of his operas had previously done. The theme of the alienated loner often returns in Britten operas, but \u003cem\u003eDeath in Venice\u003c\/em\u003e delves deeper into the pathology of its protagonist in a way that none of his other operas do. Peter Pears gives a chilling performance as the anti-hero, Aschenbach. Pears' ability to create a character that is simultaneously likable and horrible is haunting. John Shirley-Quirk, tasked with having to play seven different characters, manages to create a unique voice and color for each. Countertenor James Bowman creates an ethereal and gender-ambiguous Apollo. 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