{"title":"MÖDL, Martha","description":"","products":[{"product_id":"janacek-jenufa-jurinac-modl-kmentt-cox","title":"Janacek: Jenufa - Jurinac, Mödl, Kmennt, Cox, Hoengen, Popp, Konetzni; Kromholc.  Wien, 1964","description":"\u003ch1 class=\"title-header\" style=\"text-align: center;\"\u003eRecording Information\u003c\/h1\u003e\n\n\u003cdiv class=\"two-column-grid\"\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n\n\u003cp\u003e\nOld Burya – \u003cstrong\u003eElisabeth Höngen\u003c\/strong\u003e\u003cbr\u003e\nLaca – \u003cstrong\u003eWaldemar Kmentt\u003c\/strong\u003e\u003cbr\u003e\nSteva – \u003cstrong\u003eJean Cox\u003c\/strong\u003e\u003cbr\u003e\nKostelnicka – \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e\u003cbr\u003e\nJenufa – \u003cstrong\u003eSena Jurinac\u003c\/strong\u003e\u003cbr\u003e\nForeman – \u003cstrong\u003eHans Braun\u003c\/strong\u003e\u003cbr\u003e\nThe Mayor – \u003cstrong\u003eLjubomir Pantscheff\u003c\/strong\u003e\u003cbr\u003e\nHis Wife – \u003cstrong\u003eHilde Konetzni\u003c\/strong\u003e\u003cbr\u003e\nKarolka – \u003cstrong\u003eLucia Popp\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\n\u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n\n\u003cp\u003e\nLocation: \u003cstrong\u003eWien\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003e1964\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eJaroslav Krombholc\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10150-2\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":31292661530760,"sku":"10150-2","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/janacek-leos_abc7feed-ddff-40a5-8d39-a4b4ccaba680.png?v=1782509775"},{"product_id":"weill-aufstieg-und-fall-der-stadt-mahagonny-silja-modl-stolze-leitner","title":"Weill: Aufstieg und Fall der Stadt Mahagonny - Silja, Mödl, Stolze, Hirt, Winkler; Leitner.  Stuttgart, 1967","description":"\u003ch1 class=\"title-header\" style=\"text-align: center;\"\u003eRecording Information\u003c\/h1\u003e\n\n\u003cdiv class=\"two-column-grid\"\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n\n\u003cp\u003e\nLeokadja Begbick – \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e\u003cbr\u003e\nFatty \"der Prokurist\" – \u003cstrong\u003eAlfred Pfeifle\u003c\/strong\u003e\u003cbr\u003e\nDreieinigkeitsmoses – \u003cstrong\u003eKlaus Bertram\u003c\/strong\u003e\u003cbr\u003e\nJenny Smith – \u003cstrong\u003eAnja Silja\u003c\/strong\u003e\u003cbr\u003e\nJimmy Mahoney – \u003cstrong\u003eGerhard Stolze\u003c\/strong\u003e\u003cbr\u003e\nJakob Schmidt – \u003cstrong\u003eHermann Winkler\u003c\/strong\u003e\u003cbr\u003e\nSparbüchsenbill – \u003cstrong\u003eFritz Linke\u003c\/strong\u003e\u003cbr\u003e\nAlaskawolfjoe – \u003cstrong\u003eKlaus Hirte\u003c\/strong\u003e\u003cbr\u003e\nTobby Higgins – \u003cstrong\u003eGustav Grefe\u003c\/strong\u003e\u003cbr\u003e\nSechs Mädchen – \u003cstrong\u003eJutta Blumenthal-Munz\u003c\/strong\u003e\u003cbr\u003e\nSechs Mädchen – \u003cstrong\u003eElfriede Dobbertin\u003c\/strong\u003e\u003cbr\u003e\nSechs Mädchen – \u003cstrong\u003eRenate Gutmann\u003c\/strong\u003e\u003cbr\u003e\nSechs Mädchen – \u003cstrong\u003eSieglinde Kahmann\u003c\/strong\u003e\u003cbr\u003e\nSechs Mädchen – \u003cstrong\u003eIngeborg Kolesch\u003c\/strong\u003e\u003cbr\u003e\nSechs Mädchen – \u003cstrong\u003eFranziska Wachmann\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\n\u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n\n\u003cp\u003e\nLocation: \u003cstrong\u003eWürtembergisches Staatstheater, Stuttgart\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003e1967\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eFerdinand Leitner\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10308-2\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":31292656124040,"sku":"10308-2","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/Weill-Kurt_86efe269-1eab-4c0d-b7bb-adace339a6d9.png?v=1782510225"},{"product_id":"strauss-salome-jones-hopf-modl-weikl","title":"Strauss: Salome - Jones, Hopf, Weikl, Mödl; Reiger.  München, 1977","description":"\u003ch1 class=\"title-header\" style=\"text-align: center;\"\u003eRecording Information\u003c\/h1\u003e\n\n\u003cdiv class=\"two-column-grid\"\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n\n\u003cp\u003e\nSalome – \u003cstrong\u003eGwyneth Jones\u003c\/strong\u003e\u003cbr\u003e\nHerodes – \u003cstrong\u003eHans Hopf\u003c\/strong\u003e\u003cbr\u003e\nHerodias – \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e\u003cbr\u003e\nJochanaan – \u003cstrong\u003eBernd Weikl\u003c\/strong\u003e\u003cbr\u003e\nNarraboth – \u003cstrong\u003eClaes Ahnsjö\u003c\/strong\u003e\u003cbr\u003e\nPage der Herodias – \u003cstrong\u003eHelena Jungwirth\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\n\u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n\n\u003cp\u003e\nLocation: \u003cstrong\u003eMünchen\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003eJanuary 27, 1977\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eFritz Reiger\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10334-2\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":31292654813320,"sku":"10334-2","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/Strauss-Richard_d3082080-1089-4f05-bd66-8eb9b35e09a6.png?v=1782510343"},{"product_id":"wagner-parsifal-windgassen-modl-weber-uhde-frantz-jochum","title":"Wagner: Parsifal - Windgassen, Mödl, Weber, Frantz, Uhde; Jochum. Roma, 1956","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eIn this towering performance of \u003ci\u003eParsifal\u003c\/i\u003e, \u003cb\u003eMartha Mödl\u003c\/b\u003e brings a searing emotional range and raw dramatic force to the role of Kundry. At the height of her powers, she infuses each phrase with turbulent intensity and inner conflict, her voice alternately slashing and pleading as the narrative demands. Paired with \u003cb\u003eWolfgang Windgassen\u003c\/b\u003e, whose Parsifal radiates youthful nobility and growing spiritual awareness, the two create an electrifying dynamic that anchors the performance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLudwig Weber\u003c\/b\u003e is a stately and dignified Gurnemanz, his resonant bass lending a timeless authority to the part. His long monologues are delivered with such natural inflection and warmth that they seem to suspend time. As Amfortas, \u003cb\u003eFerdinand Frantz\u003c\/b\u003e offers a deeply affecting portrayal marked by both suffering and vocal assurance—his outcries are anguished yet never lose technical control, giving the character both tragic gravity and musical finesse.\u003c\/p\u003e\n\u003cp\u003eUnder the baton of \u003cb\u003eEugen Jochum\u003c\/b\u003e, the score unfolds with elegiac beauty. His pacing is unhurried but never static, allowing the mystical contours of the music to breathe. Jochum draws glowing colors from the orchestra, illuminating Wagner’s spiritual landscape with both clarity and reverence. The result is a \u003ci\u003eParsifal\u003c\/i\u003e that transcends the theatrical and touches the metaphysical, driven by a cast in peak form and a conductor who grasps the work’s inner radiance.\u003c\/p\u003e\n\u003cp\u003eIn Mono\u003c\/p\u003e\n\u003cp\u003eOD 10082-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292654157960,"sku":"10082-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099239492,"sku":"MP3 10082-4","price":18.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":50378832183617,"sku":"FLAC 10082-4","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10082-4front.jpg?v=1751037025"},{"product_id":"purcell-dido-and-aeneas-modl-prey","title":"Purcell: Dido and Aeneas (In German) - Mödl, Prey, Lindgreen; Schmidt-Isserstedt.  Hamburg, 1955","description":"\u003ch1 class=\"title-header\" style=\"text-align: center;\"\u003eRecording Information\u003c\/h1\u003e\n\n\u003cdiv class=\"two-column-grid\"\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n\n\u003cp\u003e\nDido – \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e\u003cbr\u003e\nAeneas – \u003cstrong\u003eHermann Prey\u003c\/strong\u003e\u003cbr\u003e\nBelinde – \u003cstrong\u003eDora Lindgren\u003c\/strong\u003e\u003cbr\u003e\nZauberin – \u003cstrong\u003eGusta Manner\u003c\/strong\u003e\u003cbr\u003e\nGespenst – \u003cstrong\u003eFritz Göllnitz\u003c\/strong\u003e\u003cbr\u003e\nEine Frau – \u003cstrong\u003eDorothea Förster-Dürlich\u003c\/strong\u003e\u003cbr\u003e\nHexen – \u003cstrong\u003eLisa Bischof\u003c\/strong\u003e\u003cbr\u003e\nHexen – \u003cstrong\u003eUrsula Zöllenkopf\u003c\/strong\u003e\u003cbr\u003e\nEin Matrose – \u003cstrong\u003eKurt Marschner\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\n\u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n\n\u003cp\u003e\nLocation: \u003cstrong\u003eNDR Chor und Sinfonie-Orchester, Hamburg\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003eJanuary 14, 1955\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eHans Schmidt-Isserstedt\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10368-1\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":31292650029192,"sku":"10368-1","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/Purcell-Henry_27a1ed8c-618b-4d02-9de3-e097b5dc6fbb.png?v=1782510494"},{"product_id":"martha-modl-der-rosenkavalier-della-casa-ebers","title":"Compilation: Martha Mödl sings Octavian - with Ebers, Della Casa \u0026 Ludwig. Plus arias from Parsifal, Mahagonny, Jenufa \u0026 Dido.","description":"\u003ch1 class=\"title-header\" style=\"text-align: center;\"\u003eRecording Information\u003c\/h1\u003e\n\n\u003cdiv class=\"two-column-grid\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003ePROGRAM\u003c\/h3\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003ci\u003eDer Rosenkavalier\u003c\/i\u003e Excerpts\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\nRichard Strauss – \u003ci\u003eDer Rosenkavalier\u003c\/i\u003e – Excerpts – Marschallin: \u003cstrong\u003eClara Ebers\u003c\/strong\u003e\u003cbr\u003e\nLocation: \u003cstrong\u003eEdinburgh Festival\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003e1952\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eLeopold Ludwig\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10404-1\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\nRichard Strauss – \u003ci\u003eDer Rosenkavalier\u003c\/i\u003e – Excerpts – Octavian: \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e\u003cbr\u003e\nLocation: \u003cstrong\u003eEdinburgh Festival\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003e1952\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eLeopold Ludwig\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10404-1\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003ePROGRAM\u003c\/h3\u003e\n\u003cp\u003e\nRichard Strauss – \u003ci\u003eDer Rosenkavalier\u003c\/i\u003e – Excerpts – Sophie: \u003cstrong\u003eLisa Della Casa\u003c\/strong\u003e\u003cbr\u003e\nLocation: \u003cstrong\u003eEdinburgh Festival\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003e1952\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eLeopold Ludwig\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10404-1\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eBONUS\u003c\/h3\u003e\n\n\u003cp\u003e\n\u003cstrong\u003eMartha Mödl sings excerpts from \u003ci\u003eMahagonny\u003c\/i\u003e, \u003ci\u003eDido and Aeneas\u003c\/i\u003e, \u003ci\u003eParsifal\u003c\/i\u003e and \u003ci\u003eJenufa\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003ci\u003eMahagonny\u003c\/i\u003e – excerpts: \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e\u003cbr\u003e\nBONUS: Martha Mödl sings excerpts from \u003ci\u003eMahagonny\u003c\/i\u003e, \u003ci\u003eDido and Aeneas\u003c\/i\u003e, \u003ci\u003eParsifal\u003c\/i\u003e and \u003ci\u003eJenufa\u003c\/i\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003ci\u003eDido and Aeneas\u003c\/i\u003e – excerpts: \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e\u003cbr\u003e\nBONUS: Martha Mödl sings excerpts from \u003ci\u003eMahagonny\u003c\/i\u003e, \u003ci\u003eDido and Aeneas\u003c\/i\u003e, \u003ci\u003eParsifal\u003c\/i\u003e and \u003ci\u003eJenufa\u003c\/i\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003ci\u003eParsifal\u003c\/i\u003e – excerpts: \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e\u003cbr\u003e\nBONUS: Martha Mödl sings excerpts from \u003ci\u003eMahagonny\u003c\/i\u003e, \u003ci\u003eDido and Aeneas\u003c\/i\u003e, \u003ci\u003eParsifal\u003c\/i\u003e and \u003ci\u003eJenufa\u003c\/i\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003ci\u003eJenufa\u003c\/i\u003e – excerpts: \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e\u003cbr\u003e\nBONUS: Martha Mödl sings excerpts from \u003ci\u003eMahagonny\u003c\/i\u003e, \u003ci\u003eDido and Aeneas\u003c\/i\u003e, \u003ci\u003eParsifal\u003c\/i\u003e and \u003ci\u003eJenufa\u003c\/i\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":31292648784008,"sku":"10404-1","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/Modl-Martha_49311e98-fa3b-482e-b913-1ff197ab9f62.png?v=1782510637"},{"product_id":"strauss-die-schweigsame-frau-moll-grist-grobe-modl-sawallisch","title":"Strauss: Die schweigsame Frau - Grist, Moll, Grobe, Mödl, Kusche; Sawallisch. München, 1971","description":"\u003ch1 class=\"title-header\" style=\"text-align: center;\"\u003eRecording Information\u003c\/h1\u003e\n\n\u003cdiv class=\"two-column-grid\"\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n\n\u003cp\u003e\nSir Morosus – \u003cstrong\u003eKurt Moll\u003c\/strong\u003e\u003cbr\u003e\nSeine Haushälterin – \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e\u003cbr\u003e\nDer Barbier – \u003cstrong\u003eBARRY McDANIEL\u003c\/strong\u003e\u003cbr\u003e\nHenry Morosus – \u003cstrong\u003eDonald Grobe\u003c\/strong\u003e\u003cbr\u003e\nAminta – \u003cstrong\u003eReri Grist\u003c\/strong\u003e\u003cbr\u003e\nVannuzzi – \u003cstrong\u003eBenno Kusche\u003c\/strong\u003e\u003cbr\u003e\nIsotta – \u003cstrong\u003eLotte Schädle\u003c\/strong\u003e\u003cbr\u003e\nCarlotta – \u003cstrong\u003eGlenys Lolis\u003c\/strong\u003e\u003cbr\u003e\nMorbio – \u003cstrong\u003eAlbrecht Peter\u003c\/strong\u003e\u003cbr\u003e\nFarfalla – \u003cstrong\u003eMax Proebstl\u003c\/strong\u003e\u003cbr\u003e\nComedians – \u003cstrong\u003eKarl Bellgardt\u003c\/strong\u003e\u003cbr\u003e\nComedians – \u003cstrong\u003eFranz Strauch\u003c\/strong\u003e\u003cbr\u003e\nComedians – \u003cstrong\u003eArthur Horn\u003c\/strong\u003e\u003cbr\u003e\nComedians – \u003cstrong\u003eLothar Schreiber\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\n\u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n\n\u003cp\u003e\nLocation: \u003cstrong\u003eMünchen\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003eJuly 4, 1971\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eWolfgang Sawallisch\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10426-2\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":31292647964808,"sku":"10426-2","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/Strauss-Richard_54b87971-26c8-42c6-8064-c0bbe49ec940.png?v=1782510736"},{"product_id":"verdi-un-ballo-in-maschera-berthold-constantin-konya-modl-peters-sanzogno","title":"Verdi: Un Ballo in maschera (In German) - Konya, Berthold, Constantin, Peters, Mödl; Sanzogno.  Hamburg, 1965","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis performance, originally produced for German television, may not be the most quintessential example of Italianate style, but it nonetheless boasts an impressive cast of great singers.\u003c\/p\u003e\n\u003cp\u003eAmong them, \u003cstrong\u003eSandor Kónya\u003c\/strong\u003e comes closest to capturing the essence of Italian style, even while singing in German. \u003cstrong\u003eCharlotte Berthold\u003c\/strong\u003e, a strikingly beautiful performer, possesses a voice to match her glamour, with a particularly radiant top that shines throughout. \u003cstrong\u003eRoberta Peters\u003c\/strong\u003e is an absolute delight as Oscar, bringing sparkle and agility to the role, while \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e delivers a wonderfully campy and theatrical Ulrica, adding a unique charm to the production.\u003c\/p\u003e\n\u003cp\u003eWhile the linguistic shift may alter some of the opera’s character, the vocal excellence on display makes this a performance well worth experiencing.\u003c\/p\u003e\n\u003cp\u003eOD 10428-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292647899272,"sku":"10428-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099150084,"sku":"MP3 10428-2","price":9.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":50011043529025,"sku":"FLAC 10428-2","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10428-2front.jpg?v=1751036944"},{"product_id":"von-einem-kabale-und-liebe-silja-beirer-weikl-modl-fassbaender-berry-von-dohnanyi","title":"von Einem: Kabale und Liebe - Silja, Beirer, Weikl, Berry, Mödl, Fassbaender; von Dohnanyi. Wien, 1976","description":"\u003ch1 class=\"title-header\" style=\"text-align: center;\"\u003eRecording Information\u003c\/h1\u003e\n\n\u003cdiv class=\"two-column-grid\"\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n\n\u003cp\u003e\nPräsident – \u003cstrong\u003eHans Beirer\u003c\/strong\u003e\u003cbr\u003e\nFerdinand – \u003cstrong\u003eBernd Weikl\u003c\/strong\u003e\u003cbr\u003e\nHofmarschall von Kalb – \u003cstrong\u003eHeinz Zednik\u003c\/strong\u003e\u003cbr\u003e\nLady Milford – \u003cstrong\u003eBrigitte Fassbaender\u003c\/strong\u003e\u003cbr\u003e\nWurm – \u003cstrong\u003ePeter van der Bilt\u003c\/strong\u003e\u003cbr\u003e\nMiller – \u003cstrong\u003eWalter Berry\u003c\/strong\u003e\u003cbr\u003e\nFrau Miller – \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e\u003cbr\u003e\nLuisa – \u003cstrong\u003eAnja Silja\u003c\/strong\u003e\u003cbr\u003e\nSophie – \u003cstrong\u003eOlga Warla\u003c\/strong\u003e\u003cbr\u003e\nKammerdiener des Fürsten – \u003cstrong\u003eErich Kunz\u003c\/strong\u003e\u003cbr\u003e\nEduard – \u003cstrong\u003eHorst Nitsche\u003c\/strong\u003e\u003cbr\u003e\nDiener des Präsidenten – \u003cstrong\u003eEwald Aichberger\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:center;\"\u003e\n\n\u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n\n\u003cp\u003e\nLocation: \u003cstrong\u003eWien\u003c\/strong\u003e\u003cbr\u003e\nDate: \u003cstrong\u003eDecember 17, 1976\u003c\/strong\u003e\u003cbr\u003e\nConductor: \u003cstrong\u003eChristoph von Dohnanyi\u003c\/strong\u003e\u003cbr\u003e\nCatalogue Number: \u003cstrong\u003e10455-2\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":31292647047304,"sku":"10455-2","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/von-Einem-Gottfried_e4c2d474-a40b-4540-a0e6-b12b92e42666.png?v=1782510855"},{"product_id":"wagner-parsifal-windgassen-modl-hotter-greindl-knappertsbusch-bayreuth","title":"Wagner: Parsifal - Windgassen, Mödl, Hotter, Greindl, Neidlinger, Adam; Knappertsbusch. Bayreuth, 1954","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp data-start=\"0\" data-end=\"404\"\u003e\u003cspan data-start=\"15\" data-end=\"38\"\u003eOver the many years that he frequented Bayreuth, \u003c\/span\u003e\u003cstrong data-start=\"15\" data-end=\"38\"\u003eHans Knappertsbusch\u003c\/strong\u003e's interpretation of \u003cem data-start=\"59\" data-end=\"69\"\u003eParsifal\u003c\/em\u003e was constantly evolving, making each performance feel fresh and spontaneous despite his meticulous attention to orchestral detail. His willingness to set aside past choices in favor of new insights—whether prompted by different casts, staging concepts, or his own artistic curiosity—results in a reading that feels deeply organic.\u003c\/p\u003e\n\u003cp data-start=\"406\" data-end=\"878\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"406\" data-end=\"429\"\u003eWolfgang Windgassen\u003c\/strong\u003e and \u003cstrong data-start=\"434\" data-end=\"449\" data-is-only-node=\"\"\u003eMartha Mödl\u003c\/strong\u003e bring a youthful vitality to Parsifal and Kundry, with Mödl delivering a near-flawless performance, embracing the demanding high notes that would challenge her in later years. \u003cstrong data-start=\"626\" data-end=\"643\"\u003eJosef Greindl\u003c\/strong\u003e’s Gurnemanz is warm and approachable, while \u003cstrong data-start=\"688\" data-end=\"703\"\u003eHans Hotter\u003c\/strong\u003e imbues Amfortas with the appropriate anguish yet retains a sense of youth and virility. A fascinating document of Knappertsbusch’s ever-evolving relationship with \u003cem data-start=\"867\" data-end=\"877\"\u003eParsifal\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-start=\"406\" data-end=\"878\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIn Mono\u003c\/p\u003e\n\u003cp\u003eOD 10487-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292645802120,"sku":"10487-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099238980,"sku":"MP3 10487-4","price":18.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":50240310477121,"sku":"FLAC 10487-4","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10487-4front.jpg?v=1751036897"},{"product_id":"strauss-elektra-steger-modl-tarres-windgassen-kleiber","title":"Strauss: Elektra - Steger, Mödl, Tarres, Windgassen, Wildermann; C. Kleiber.  Stuttgart, 1971","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eAny recording featuring \u003cstrong\u003eCarlos Kleiber\u003c\/strong\u003e carries the weight of a true event. He conducted so few operas, but when he did, his profound understanding of both the structure and deeper meaning of the music made each performance exceptional. \u003cem\u003eElektra\u003c\/em\u003e is a symphonic marvel, teeming with orchestral colors, and Kleiber revels in shaping the balance, allowing details to emerge that might otherwise be lost in the overwhelming sonority. Under his direction, every instrumental nuance serves a purpose, with not a single flourish wasted among the 111 players in the pit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIngrid Steger\u003c\/strong\u003e may not fully match Kleiber’s brilliance, but she throws herself into the title role with abandon. While she shows signs of fatigue in the recognition scene, she largely holds her voice together through to the opera’s demanding conclusion—a feat in itself. \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e, past her vocal prime in 1971, delivers moments of raw, even unattractive singing. Yet, her artistry and dramatic instincts more than compensate, transforming Klytämnestra into a frail, almost unexpectedly sympathetic figure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnriqueta Tarrés\u003c\/strong\u003e is radiant as Chrysothemis, her voice offering a striking contrast to the darker tones surrounding her. \u003cstrong\u003eWolfgang Windgassen\u003c\/strong\u003e, serving as Stuttgart’s intendant at the time, lends his seasoned presence to Aegisth, further enriching this already compelling cast.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBONUS:\u003c\/strong\u003e\u003cbr\u003eMartha Mödl sings excerpts from \u003cem\u003eMahagonny, Jenufa \u0026amp; Parsifal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOD 10581-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292642590856,"sku":"10581-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099057540,"sku":"MP3 10581-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10581-2front.jpg?v=1751036786"},{"product_id":"strauss-salome-silja-modl-mazura","title":"Strauss: Salome - Silja, Mödl, Mazura, Mackee, Esser; Sebastian.  Genève, 1966","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eDespite the success of \u003cem\u003eSalome\u003c\/em\u003e, \u003cstrong\u003eRichard Strauss\u003c\/strong\u003e was never entirely satisfied with the casting of the title role, as it demands a soprano with immense vocal power and an actress capable of convincingly portraying a virginal princess. He even implored \u003cstrong\u003eElisabeth Schumann\u003c\/strong\u003e to take on the part, promising to rescore the orchestration to suit her voice, though she ultimately decided it would be too much for her lyric soprano.\u003c\/p\u003e\n\u003cp\u003eIt’s a shame Strauss didn’t live to hear \u003cstrong\u003eAnja Silja\u003c\/strong\u003e in the role, as she comes remarkably close to the ideal. In 1967, still in her twenties, Silja possessed a voice capable of cutting through Strauss' dense orchestration with ease while maintaining an exceptional purity of tone. From her very first lines, she embodies a Salome grappling with the awakening of her nascent sexuality and struggling to hold onto her tenuous grip on reality. By the opera’s conclusion, she achieves an almost holy transfiguration in her final declamation.\u003c\/p\u003e\n\u003cp\u003eWhile \u003cstrong\u003eFranz Mazura\u003c\/strong\u003e may lack the suavity to be a credible object of Salome’s obsessive desire, he compensates with fiery intensity, and his final rejection of Salome is chillingly cruel. \u003cstrong\u003eMartha Mödl\u003c\/strong\u003e, though limited vocally, brings high camp flair to Herodias. Under \u003cstrong\u003eGeorges Sébastian\u003c\/strong\u003e, the orchestra emphasizes the lyrical side of Strauss’ score, adding a poignant counterpoint to the drama.\u003c\/p\u003e\n\u003cp\u003eThe sound quality is fair.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBONUS:\u003c\/strong\u003e\u003cbr\u003eAnja Silja sings \u003cem\u003e\"Allein! Weh, ganz allein!\"\u003c\/em\u003e from \u003cem\u003eElektra\u003c\/em\u003e\u003cbr\u003e1964\u003c\/p\u003e\n\u003cp\u003eOD 10648-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292638986376,"sku":"10648-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099063556,"sku":"MP3 10648-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10648-2front.jpg?v=1751036689"},{"product_id":"strauss-elektra-shuard-collier-modl-downes","title":"Strauss: Elektra (extended excerpts) - Shuard, Collier, Mödl, Shaw, Lanigan; Downes.  London, 1966","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eI labeled this recording of \u003cem\u003eElektra\u003c\/em\u003e as \"Extended Excerpts\" due to the omission of the \"Maids Scene\" and the presence of a few drop-outs. Additionally, the sound quality includes a noticeable hiss, and the micing is slightly distant. With the bad news out of the way, lovers of this opera will still find much to appreciate thanks to the stellar cast.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmy Shuard\u003c\/strong\u003e brings a rare beauty of tone to the daunting title role, a welcome novelty in a part typically dominated by sheer power. That said, she does not shy away from Elektra's demands for intensity, delivering a performance that balances vocal richness with dramatic force, occasional wayward high Cs notwithstanding.\u003c\/p\u003e\n\u003cp\u003eThe opera world is already familiar with the Chrysothemis of \u003cstrong\u003eMarie Collier\u003c\/strong\u003e, notably from Solti’s iconic recording with \u003cstrong\u003eBirgit Nilsson\u003c\/strong\u003e and \u003cstrong\u003eRegina Resnik\u003c\/strong\u003e (fun fact: Collier was a last-minute replacement for \u003cstrong\u003eGwyneth Jones\u003c\/strong\u003e). In this live performance, the size and cutting brilliance of her voice are even more apparent than in the studio recording. At times, she even seems to overpower Shuard in sheer volume. 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She conveys both the desperation of her plight and the cunning she employs to manipulate Rocco in pursuit of her goal. Unfortunately, her voice in 1957 was not at its best, most notably during her aria, which at times, to be blunt, is challenging to listen to. However, in less vocally demanding passages, she demonstrates why, from an interpretive standpoint, she remains one of the great Leonores of all time. That said, if you are looking for exquisite classical singing, this is probably not the recording for you.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGiuseppe Zampieri\u003c\/strong\u003e delivers a secure performance, though his voice has a noticeable bleat that can be distracting. The rest of the cast is competent, serving the production adequately. Conductor \u003cstrong\u003eJascha Horenstein\u003c\/strong\u003e brings energy to the orchestral performance, delivering a spirited reading that includes a rousing \u003cem\u003eLeonore No. 3\u003c\/em\u003e. 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With \u003cem\u003eLulu\u003c\/em\u003e, Alban Berg elevated atonality beyond the boundaries he explored in \u003cem\u003eWozzeck\u003c\/em\u003e, shedding some—but not all—of the lingering vestiges of Romanticism found in the earlier opera. Yet, unlike many works by Schoenberg and Webern, \u003cem\u003eLulu\u003c\/em\u003e retains a compelling lyricism that continues to draw some of the greatest singing actresses to the title role. Among them, Anja Silja stands out as perhaps its quintessential interpreter.\u003c\/p\u003e\n\u003cp\u003eIn the 1960s, Silja defied expectations by alternating between dramatic roles like Elektra and Isolde and coloratura repertoire. Her ability to seamlessly transition between \u003cem\u003eLulu\u003c\/em\u003e’s high-flying, melismatic passages and its intense dramatic outbursts is nothing short of extraordinary. Beyond her vocal prowess, Silja’s artistry as an actress of the highest caliber brought unparalleled depth to the character.\u003c\/p\u003e\n\u003cp\u003eMartha Mödl, though far beyond her vocal prime in this 1968 performance, imbues the role of Geschwitz with an aching pathos that only heightens the character's tragedy. The chemistry between Mödl and Silja in their scenes crackles with emotional intensity. Waldemar Kmentt delivers an excellent Alwa, while Hans Hotter strikes an uncanny balance between avuncular charm and unsettling menace as Schigolch.\u003c\/p\u003e\n\u003cp\u003eNotably, this performance includes sketches of the then-unfinished Act III, giving Mödl the opportunity to deliver a poignant and gripping monologue. 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In fact upon first hearing this recording taken in 1949, I was almost convinced that I was hearing a different singer. Mödl sings with a lyricism which suggests that it is possible that she never really was a dramatic soprano, at least vocally speaking. Dramatically, of course, that is a different matter and never one to hold back, Mödl dives into Kundry with an abandon that would set her apart from almost every other singer who ever sang this role. However, unlike many of her later performances, the top notes all come out and with seeming ease. Bernd Aldenhoff manages to match Mödl's lyricism. A young Josef Greindl sings Gurnemanz and reveals a glamor to his voice which wasn't always present as his career progressed. It is also worth pointing out the the Cologne orchestra plays with a romantic sensibility, including the tasteful use of portamenti, that one just doesn't hear from modern orchestras. 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Martha Mödl could possibly be the poster-child for vocal recklessness. Her thrilling performances from the early 50s left her voice in a sorry state by the mid-sixties. However, Mödl was a creature of the theater and she wasn't going to let any vocal limitations keep her from giving a vivid and chilling performance. She even seems to use her vocal state to help convey Klytämnestra's decrepitude. As Aegisth, Mirto Picchi is a surprisingly good given how far this role is from his normal repertoire. Antal Dorati delivers a broad but detailed performance. The sound is good.\u003c\/p\u003e\n\u003cp\u003eOD 10776-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292634169480,"sku":"10776-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099045380,"sku":"MP3 10776-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10776-2front.jpg?v=1751036525"},{"product_id":"wagner-die-walkure-modl-hotter-vinay-resnik-greindl-keilberth","title":"Wagner: Die Walküre - Mödl, Hotter, Vinay, Resnik, Malaniuk, Greindl; Keilberth.  Bayreuth, 1953","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eWhen Martha Mödl sang her debut at the Metropolitan Opera as Isolde, she literally stopped the show after Isolde's Act I Narration and Curse. It takes a huge force of nature to stop the momentum of a Wagner opera, but hearing her Brünnhilde, one gets a sense of the visceral power the could inspire such hysteria even during a performance of a Wagner opera. However, Mödl's artistry was more than just reckless abandon, and she achieves some beautiful moments of total vulnerability. Hans Hotter's Wotan is a shade softer than many of his colleagues who have barked his way through this role. He crafts his singing at many points with the same delicacy that he so famously brought to Lieder. A young Regina Resnik is surprisingly good as Sieglinde and, despite the weight of her middle voice, seems to have little trouble with any of Sieglinde's high notes. She is certainly well matched by Ramón Vinay as Siegmund. It is amusing that both artists would find themselves singing repertoire one notch lower not ten years later. The sound is excellent.\u003c\/p\u003e\n\u003cp\u003eOD 10784-3\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292633809032,"sku":"10784-3","price":26.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099211396,"sku":"MP3 10784-3","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10784-3front.jpg?v=1751036515"},{"product_id":"wagner-siegfried-windgassen-modl-hotter-neidlinger-greindl-streich-keilberth","title":"Wagner: Siegfried - Windgassen, Mödl, Hotter, Kuen, Neidlinger, Greindl, Streich; Keilberth.  Bayreuth, 1953","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eAlthough Wolfgang Windgassen was nearly 40 when this performance took place, he delivers one of the most fresh-voiced Siegfrieds ever recorded, seemingly undaunted by the size of the orchestra or the brutal tessitura. From his entrance, effortlessly sailing up to high C (a note almost always omitted), his Siegfried is an explosion of boundless energy which doesn't cease until the final duet. Although Hans Hotter was immortalized on the legendary Solti \u003cem\u003eRing\u003c\/em\u003e, he was a last minute replacement for George London and past his prime. This recording preserves him at his finest. Martha Mödl is in astonishing voice in her brief appearance as Brünnhilde. The sound is excellent.\u003c\/p\u003e\n\u003cp\u003eOD 10785-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292633776264,"sku":"10785-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099251460,"sku":"MP3 10785-4","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10785-4front.jpg?v=1751036514"},{"product_id":"wagner-gotterdammerung-modl-windgassen-greindl-uhde-neidlinger-resnik-keilberth","title":"Wagner: Götterdämmerung - Windgassen, Mödl, Greindl, Uhde, Neidlinger, Resnik; Keilberth.  Bayreuth, 1953","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eIn the years following the Bayreuth Festival's post-WWII revival, the stage was set for a new generation of Wagnerian stars, including Martha Mödl, Wolfgang Windgassen, and Josef Greindl. Though Mödl’s vocal prime was brief, that brief window delivered performances of unmatched intensity and dramatic integrity, and this recording showcases that power.\u003c\/p\u003e\n\u003cp\u003eWindgassen’s Siegfried is fresh and bold, while Greindl’s Hagen is dark and foreboding. Regina Resnik’s Third Norn is the definition of luxury casting. The sound quality is exceptional, capturing the clarity of both the vocal performances and the lush orchestration.\u003c\/p\u003e\n\u003cp\u003eThis recording is a vibrant testament to Bayreuth’s postwar renaissance, where dramatic passion and vocal brilliance came together in unforgettable performances.\u003c\/p\u003e\n\u003cp\u003eOD 10786-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292633743496,"sku":"10786-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099218052,"sku":"MP3 10786-4","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10786-4front.jpg?v=1751036512"},{"product_id":"wagner-ring-excerpts-modl-windgassen-hotter-resnik-vinay-greindl-keilberth","title":"Wagner: Der Ring des Nibelungen EXCERPTS - Mödl, Windgassen, Hotter, Resnik, Vinay, Greindl; Keilberth.  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The sound is excellent.\u003c\/p\u003e\n\u003cp\u003eOD 10788-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292633710728,"sku":"10788-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099241988,"sku":"MP3 10788-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10788-2front.jpg?v=1751036511"},{"product_id":"wagner-der-ring-des-nibelungen-modl-windgassen-hotter-resnik-vinay-greindl-neidlinger-uhde-keilberth-bayreuth-1953","title":"Wagner: Der Ring des Nibelungen - Mödl, Windgassen, Hotter, Resnik, Vinay, Greindl, Neidlinger, Uhde; Keilberth.  Bayreuth, 1953","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThe years after the reopening of the Bayreuth Festival after World War II would prove to be some of the greatest in the storied history of Bayreuth. Wieland Wagner brought in fresh talent and made stars out of the likes of Martha Mödl, Wolfgang Windgassen and others. This particular Cycle is an incredibly valuable document for many reasons not least of which it captures Martha Mödl in the relatively shorty window where she was unfettered by vocal crises. That is not to see that there aren’t moments when her voice seems to buckle under the pressure but she more than makes up for it by delivering one of the most human Brünnhildes I have ever come across. She plays beautifully off of the Wotan of Hans Hotter and the two create magic in the last act of \u003cem\u003eDie Walküre\u003c\/em\u003e. A fresh-voiced Wolfgang Windgassen sings Siegfried. His interpretation would deepen as his career progressed but no where else does he sound as youthful and fearless in this, the most difficult of all tenor roles. Other highlights of this set include the unexpected Sieglinde of Regina Resnik, paired with fellow fach-straddler, Ramón Vinay as Siegmund. Joseph Keilberth leads a varied and dynamic reading. Moreover there is a sense of intimacy in this performance that really sets it apart from any other \u003cem\u003eRing\u003c\/em\u003e that I have heard. The sound is excellent.\u003c\/p\u003e\n\u003cp\u003eOD 10787-13\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292633514120,"sku":"10787-13","price":107.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099175492,"sku":"MP3 10787-13","price":55.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10787-13front.jpg?v=1751036502"},{"product_id":"stravinsky-oedipus-rex-peter-pears-martha-modl-stravinsky","title":"Stravinsky: Oedipus Rex - Pears, Mödl, Rehfuss, von Rohr; Stravinsky.  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The sound is excellent and as a bonus I have included rarities by Martha Mödl.\u003c\/p\u003e\n\u003cp\u003eOD 10808-1\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292633055368,"sku":"10808-1","price":9.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099064452,"sku":"MP3 10808-1","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10808-1front.jpg?v=1751036485"},{"product_id":"wagner-parsifal-modl-vinay-greindl-london-knappertsbusch","title":"Wagner: Parsifal - Vinay, Mödl, Greindl, London, Blankenheim; Knappertsbusch. Bayreuth, 1957","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eAny \u003cem\u003eParsifal\u003c\/em\u003e featuring legends like Martha Mödl and Hans Knappertsbusch is a thrilling prospect, but this recording has the added allure of Ramón Vinay in the title role. By 1957, Vinay was nearing the end of his tenor career, yet \u003cem\u003eParsifal\u003c\/em\u003e proved a perfect match for his voice. He sings with remarkable ease and power throughout the evening, and despite the baritonal warmth of his tenor, he still convincingly conveys the innocent wonder of the title character.\u003c\/p\u003e\n\u003cp\u003eMartha Mödl, on the brink of a \u003cem\u003efach\u003c\/em\u003e shift as her voice bore the strain of years of Wagnerian roles, delivers a Kundry that is anything but polished—yet utterly compelling. The vocal wear and tear that troubled her performances of Fidelio and Brünnhilde at this stage in her career surprisingly works in her favor here, exposing Kundry's raw desperation. It may not be pretty, but it’s undeniably riveting.\u003c\/p\u003e\n\u003cp\u003eGeorge London is superb as Amfortas, and Josef Greindl offers a sympathetic Gurnemanz, though he falls slightly short in elegance. The sound quality is excellent, making this a recording well worth exploring.\u003c\/p\u003e\n\u003cp\u003eOD 10811-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292632957064,"sku":"10811-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099232708,"sku":"MP3 10811-4","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10811-4front.jpg?v=1751036482"},{"product_id":"wagner-tristan-und-isolde-modl-vinay-malaniuk-neidlinger-greindl-leitner","title":"Wagner: Tristan und Isolde - Mödl, Vinay, Malaniuk, Neidlinger, Greindl; Leitner.  Den Haag, 1959","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eAnyone who has followed the careers of Martha Mödl and Ramón Vinay knows that by the end of the 50s both were getting ready to shed their dramatic soprano and tenor (respectively) roles for less strenuous fare. Accordingly, I went into this performance with reservations. I was not ready for one of the most sincere, and poignant performances of \u003cem\u003eTristan und Isolde\u003c\/em\u003e I have ever heard (and I have heard many.) There is no doubt that Martha Mödl was nowhere near the level she was at when she was singing at the first post-war seasons of Bayreuth. She has to grunt at many of the high notes and some barely come out. But Mödl was a dramatic soprano in the truest sense of the word and she does not let the fact that her voice is not cooperating keep her from attacking Isolde with reckless abandon. The result is much more than a performance of perfectly placed high notes that many of her colleagues may have delivered, it is a performance in which drastic leaps above the staff have a dramatic context and come from a raw and deep part within the psyche of the character. Her Liebestod is particularly beautifully sung complete with a pianissimo f sharp at the end, admirable more for the rapture conveyed, than vocal purity. In the end, this kind of commitment proves so much more compelling than a bravura display of vocal technique. Ramón Vinay's voice is in better shape than Mödl's although it does seem darker and heavier than it had in earlier years. Still, his burnished tone makes him an ideal Tristan. Ira Malaniuk is a sturdy Brangäne, although the quality of her voice can seem on the harsh side at times. Josef Greindl is a regal and very sympathetic Marke without coming across as wimpy. Ferdinand Leitner leads a sweeping and beautiful performance. The sound is excellent and there are some cuts made in the performance even in addition to the standard ones. One last thought: It is possible that Mödl and Vinay knew that this would be their last \u003cem\u003eTristan\u003c\/em\u003e together and they just wanted to give one of the finest performances they could. They come very close…\u003c\/p\u003e\n\u003cp\u003eOD 10868-3\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292629975176,"sku":"10868-3","price":26.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099260036,"sku":"MP3 10868-3","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10868-3front_26ef627a-7f11-4a57-adec-a31ab1642dd6.jpg?v=1751036409"},{"product_id":"wagner-parsifal-windgassen-modl-von-rohr-neidlinger-leitner","title":"Wagner: Parsifal - Windgassen, Mödl, Von Rohr, Neidlinger, Cramer; Leitner.  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Here her voice is still in good shape and she throws herself into the role of Kundry with reckless abandon. Otto von Rohr's Gurnemanz may not be the most sonorous but he brings a touching human quality to the role. The sound is excellent.\u003c\/p\u003e\n\u003cp\u003eOD 10885-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292629352584,"sku":"10885-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099239300,"sku":"MP3 10885-4","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10885-4front.jpg?v=1751036390"},{"product_id":"britten-gloriana-martha-modl","title":"Britten: Gloriana (In German) - Mödl, Kotscha, Bähnke; Schwinckert. 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This performance of \u003cem\u003eDie Walküre\u003c\/em\u003e, however, captures Mödl on a day when her voice was in fine form, offering not only her signature magnetism but also some truly remarkable vocal moments.\u003c\/p\u003e\n\u003cp\u003eShe is joined by \u003cstrong\u003eHans Hotter\u003c\/strong\u003e as Wotan, who sounds as majestic as ever, delivering a deeply poignant farewell. \u003cstrong\u003eWolfgang Windgassen\u003c\/strong\u003e, as Siegmund, brings a slightly darker hue to his voice than in later years, while \u003cstrong\u003eGré Brouwenstijn\u003c\/strong\u003e portrays an impassioned and heartfelt Sieglinde.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoseph Keilberth\u003c\/strong\u003e conducts with a slightly slower pace, highlighting the subtle intricacies of Wagner’s richly detailed orchestration. 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Buenos Aires, 1960","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003e\u003cb\u003eHans Beirer\u003c\/b\u003e brings his massive voice and rock-solid technique to the role of Tannhäuser, meeting its formidable demands with assurance and expressive power. \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGré Brouwenstijn\u003c\/b\u003e is a stunning Elisabeth, her phrasing radiant and emotionally rich, capturing both the purity and the inner strength of the character. \u003cb\u003eMartha Mödl\u003c\/b\u003e appears briefly as Venus in Act III, offering a tantalizing glimpse of what surely would have been a compelling full portrayal—though, regrettably, the Venusberg scene is missing from these excerpts.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEberhard Wächter\u003c\/b\u003e completes the principal cast with a suave, vocally refined Wolfram, his interpretation marked by elegance and warmth.\u003c\/p\u003e\n\u003cp\u003eIn Mono\u003c\/p\u003e\n\u003cp\u003eOD 11525-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292599697544,"sku":"11525-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":26659922120,"sku":"MP3 11525-2","price":9.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":26659922184,"sku":"FLAC 11525-2","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/products\/11525-2front.jpg?v=1751035679"},{"product_id":"wagner-parsifal-ramon-vinay-martha-modl-josef-greindl-dietrich-fischer-dieskau-hans-hotter-knappertsbusch","title":"Wagner: Parsifal - Vinay, Mödl, Greindl, Fischer-Dieskau, Hotter; Knappertsbusch. Bayreuth, 1956","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003e\u003cb\u003eRamón Vinay\u003c\/b\u003e and \u003cb\u003eMartha Mödl\u003c\/b\u003e were both brilliant performers, but when paired together, they ignited a unique kind of electricity that surpassed even their individual brilliance. \u003cb\u003eVinay\u003c\/b\u003e sings with astonishing beauty and power, his Parsifal both heroic and vulnerable. \u003cb\u003eDietrich Fischer-Dieskau\u003c\/b\u003e, in a rare appearance as Amfortas, delivers a deeply anguished portrayal with vocal radiance that few could match. \u003cb\u003eJosef Greindl\u003c\/b\u003e brings a gruff, grounded bass to Gurnemanz, lending the character a relatable, everyman quality. At the helm, \u003cb\u003eHans Knappertsbusch\u003c\/b\u003e shapes the work with his signature breadth and grandeur.\u003c\/p\u003e\n\u003cp\u003eAlthough the sound is generally good, there is some occasional light distortion.\u003c\/p\u003e\n\u003cp\u003eIn Mono\u003c\/p\u003e\n\u003cp\u003eOD 11608-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292596027528,"sku":"11608-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":34280168712,"sku":"MP3 11608-4","price":18.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":34280168840,"sku":"FLAC 11608-4","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/products\/11608-4front.jpg?v=1751035591"},{"product_id":"wagner-gotterdammerung-birgit-nilsson-wolfgang-windgassen-josef-greindl-martha-modl-thomas-stewart-dvorakova-bohm","title":"Wagner: Götterdämmerung - Nilsson, Windgassen, Greindl, Stewart, Mödl, Neidlinger, Dvoraková, Silja; Böhm. Bayreuth, 1967","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003e\u003cb\u003eBirgit Nilsson\u003c\/b\u003e is in sterling voice as Brünnhilde in this 1967 Bayreuth broadcast of \u003ci\u003eGötterdämmerung\u003c\/i\u003e, captured the same year as the commercial recordings. Her performance radiates both vocal majesty and emotional intensity, with a freshness that feels fully engaged. As Hagen, \u003cb\u003eJosef Greindl\u003c\/b\u003e strikes an ideal balance between menace and elegance, his cavernous bass laced with sinister charm.\u003c\/p\u003e\n\n\u003cp\u003e\u003cb\u003eMartha Mödl\u003c\/b\u003e's Waltraute is a masterclass in dramatic commitment. Though there are a few minor vocal slips, this account surpasses the version ultimately released. Her portrayal is riveting—an urgent, almost haunted narrative that only an artist of her experience could deliver. \u003cb\u003eLudmila Dvorakova\u003c\/b\u003e brings vocal sheen to the role of Gutrune, \u003cb\u003eThomas Stewart\u003c\/b\u003e is a richly voiced Gunther, and \u003cb\u003eAnja Silja\u003c\/b\u003e lends striking presence to the Third Norn. This is an evening of luxury casting from top to bottom.\u003c\/p\u003e\n\n\u003cp\u003eThere are about eight very brief drop-outs (each less than a second), but they do little to detract from the impact of the performance.\u003c\/p\u003e\n\n\u003cp\u003eIn Stereo\u003c\/p\u003e\n\u003cp\u003eOD 11622-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292595044488,"sku":"11622-4","price":34.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":36432222216,"sku":"MP3 11622-4","price":18.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":36432222344,"sku":"FLAC 11622-4","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/products\/11622-4front.jpg?v=1751035573"},{"product_id":"wagner-der-ring-des-nibelungen-nilsson-windgassen-adam-greindl-stewart-modl-silja-ridderbusch-dernesch-otmar-suitner-karl-bohm","title":"Wagner: Der Ring des Nibelungen - Nilsson, Windgassen, Adam, Rysanek, King, Greindl, Mödl, Silja; Böhm\/Suitner. Bayreuth, 1967","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis live broadcast from Bayreuth captures a constellation of legendary voices in what is perhaps the most vocally luxurious \u003ci\u003eRing Cycle\u003c\/i\u003e ever assembled. At the center is \u003cb\u003eBirgit Nilsson\u003c\/b\u003e, whose Brünnhilde showcases the heroic stamina and gleaming top notes that made her the defining voice in this role. Her vocal power remains undiminished, but it's her emotional range—especially in \u003ci\u003eGötterdämmerung\u003c\/i\u003e—that impresses most. \u003cb\u003eWolfgang Windgassen\u003c\/b\u003e appears in double duty as Siegfried and Loge, bringing his signature blend of vocal agility and lyrical charm. Even after two decades at Bayreuth, he still manages to imbue Siegfried with youthful energy and charisma.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTheo Adam\u003c\/b\u003e offers a commanding Wotan, characterized more by intellectual gravity than sheer vocal warmth. \u003cb\u003eLeonie Rysanek\u003c\/b\u003e and \u003cb\u003eJames King\u003c\/b\u003e as Sieglinde and Siegmund are ideally matched, their duet in Act I of \u003ci\u003eDie Walküre\u003c\/i\u003e a perfect union of emotional urgency and expansive phrasing. \u003cb\u003eMartha Mödl\u003c\/b\u003e, by then transitioning into mezzo repertoire, delivers a riveting Waltraute, her famed commitment to text and psychological nuance on full display in the narrative scene—perhaps her most haunting recorded version of it.\u003c\/p\u003e\n\u003cp\u003eThe smaller roles are cast from strength: \u003cb\u003eThomas Stewart\u003c\/b\u003e is an imposing Gunther; \u003cb\u003eAnja Silja\u003c\/b\u003e shines in both the Third Norn and Freia; \u003cb\u003eErika Köth\u003c\/b\u003e brings crystalline clarity to the Waldvogel; and \u003cb\u003eKarl Ridderbusch\u003c\/b\u003e lends Fasolt a bass of rare nobility. Conducting duties are shared between \u003cb\u003eKarl Böhm\u003c\/b\u003e and \u003cb\u003eOtmar Suitner\u003c\/b\u003e, each bringing distinct strengths—Böhm’s taut, urgent pacing and Suitner’s more lyrical finesse. Although the stereo sound is generally good, it lacks some of the polish of the commercial release.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA WORD ABOUT THIS CYCLE:\u003c\/b\u003e\u003cbr\u003eThese recordings mark the only time that Bayreuth used two different conductors for the same \u003ci\u003eRing\u003c\/i\u003e. Initially the Cycle was scheduled to be recorded in 1966, but Birgit Nilsson, already tasked with recording the now legendary \u003ci\u003eTristan und Isolde\u003c\/i\u003e with Karl Böhm, became concerned about the grueling schedule. So the management came up with the compromise that they would record \u003ci\u003eRheingold\u003c\/i\u003e and \u003ci\u003eSiegfried\u003c\/i\u003e in 1966, both of which don't demand as much of Nilsson (particularly \u003ci\u003eRheingold\u003c\/i\u003e), and \u003ci\u003eWalküre\u003c\/i\u003e and \u003ci\u003eGötterdämmerung\u003c\/i\u003e in 1967. This, unfortunately, meant displacing the esteemed conductor Otmar Suitner from some of the performances in 1967. Incidentally, Wolfgang Windgassen, who was also singing in the 1966 \u003ci\u003eTristan\u003c\/i\u003e, didn't have any issues with the schedule.\u003c\/p\u003e\n\u003cp\u003eThese performances were the live broadcasts from the summer of 1967, whereas the commercial recording was a composite of the runs from 1966 and 1967. Recording engineers generally favor musical accuracy, which meant that a singer could be in phenomenal voice and then one botched entrance would doom that take to the cutting room floor. Despite the musical mistakes, there is an energy at times missing from the commercial recordings in this unique set.\u003c\/p\u003e\n\u003cp\u003eIn Stereo\u003c\/p\u003e\n\u003cp\u003eOD 11623-12\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292594880648,"sku":"11623-12","price":99.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":36432222664,"sku":"MP3 11623-12","price":51.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":36432222728,"sku":"FLAC 11623-12","price":63.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/products\/11623-12front.jpg?v=1751035572"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/collections\/Modl-Martha.png?v=1748270694","url":"https:\/\/operadepot.com\/collections\/martha-modl.oembed?page=4","provider":"Opera Depot","version":"1.0","type":"link"}