{"title":"DONIZETTI, Gaetano","description":"","products":[{"product_id":"donizetti-anna-bolena-gencer-simionato-clabassi-gavazzeni","title":"Donizetti: Anna Bolena - Gencer, Simionato, Bertocci, Clabassi; Gavazzeni. Milano, 1958","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eLeyla Gencer\u003c\/strong\u003e was just as pivotal to the bel canto revival as \u003cstrong\u003eMaria Callas\u003c\/strong\u003e and \u003cstrong\u003eJoan Sutherland\u003c\/strong\u003e, yet she has not always received the same recognition. She deserves it, and this performance proves why. Her ability to shift effortlessly from powerful chest tones to the most delicate fioritura is almost superhuman, offering a clear link between \u003cstrong\u003eGaetano Donizetti\u003c\/strong\u003e and \u003cstrong\u003eGiuseppe Verdi\u003c\/strong\u003e. She is joined by \u003cstrong\u003eGiulietta Simionato\u003c\/strong\u003e as Giovanna, and together, they push each other to even greater heights, culminating in a thrilling double high C during their duet, \u003cem\u003e\"Va, infelice.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEW MASTER\u003c\/strong\u003e\u003cbr\u003e- Repitched\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBONUS:\u003c\/strong\u003e\u003cbr\u003eLeyla Gencer Sings Arias From\u003cem\u003e I Vespri Siciliani\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOD 10537-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292643934344,"sku":"10537-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098662340,"sku":"MP3 10537-2","price":9.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":50103006527809,"sku":"FLAC 10537-2","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10537-2front.jpg?v=1751036842"},{"product_id":"donizetti-lucia-di-lammermoor-joan-sutherland-gibin-shaw-serafin","title":"Donizetti: Lucia di Lammermoor - Sutherland, Gibin, Shaw, Rouleau; Serafin. 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Mexico City, 1969","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eOn paper, \u003cstrong\u003eBeverly Sills\u003c\/strong\u003e and \u003cstrong\u003eLuciano Pavarotti\u003c\/strong\u003e might seem like an unlikely pairing. While both singers reached the pinnacle of the operatic world, they did so via very different paths. However, this recording proves how two contrasting artists can challenge and inspire one another to even greater artistic heights.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeverly Sills\u003c\/strong\u003e’ unwavering dedication to the drama, even when navigating monstrously difficult music, has become legendary. From Lucia’s first lines, Sills conveys her fragility, drawing listeners into the heroine’s descent into madness with heartbreaking nuance. \u003cstrong\u003eLuciano Pavarotti\u003c\/strong\u003e, by contrast, was not widely celebrated for his acting, but Sills seems to awaken his inner thespian in a way that other sopranos didn't, resulting in an impassioned and deeply committed performance.\u003c\/p\u003e\n\u003cp\u003eVocally, this role showcases everything that made Pavarotti one of the greatest tenors of his time. His golden tone and rock-solid technique shine through, effortlessly meeting the role’s challenges. The way he ascends stepwise to the high As in the opera’s final moments is nothing short of perfection.\u003c\/p\u003e\n\u003cp\u003eThis recording is a must-have for fans of the opera and these two legendary artists. The sound is good, though unfortunately, the first three minutes of the tenor’s final scene are missing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBONUS:\u003c\/strong\u003e\u003cbr\u003eSills \u0026amp; Pavarotti sing scenes from \u003cem\u003eI Puritani\u003c\/em\u003e\u003cbr\u003e1972\u003c\/p\u003e\n\u003cp\u003eOD 10600-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292641476744,"sku":"10600-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098674564,"sku":"MP3 10600-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10600-2front.jpg?v=1751036761"},{"product_id":"donizetti-l-elisir-d-amore-gedda-grist-kerns-waechter","title":"Donizetti: L'Elisir d'amore - Gedda, Grist, Waechter, Kerns, Heichele; Varviso.  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Additionally, \u003cem\u003eBelisario\u003c\/em\u003e incorporates elements of nationalism that would become central to Verdi’s works, as well as a poignant father-son reunion, reminiscent of \u003cem\u003eSimon Boccanegra, \u003c\/em\u003ehinting at the possibility that Verdi’s recurring exploration of such reunions stemmed not only from his personal loss but also from the established conventions of the bel canto dramatic form.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGiuseppe Taddei\u003c\/strong\u003e brings majesty and virile tone to the title role, offering a performance rich in authority and nuance. \u003cstrong\u003eLeyla Gencer\u003c\/strong\u003e, as Antonina, highlights Donizetti’s evolving style. Her character represents a shift away from the light-hearted Norinas and Adinas and ventures into darker, more dramatic territory, nearing the realm of Lady Macbeth. Gencer’s voice is lush and expressive, combining flawless coloratura with an astonishing final scene.\u003c\/p\u003e\n\u003cp\u003eA powerful and illuminating performance of a pivotal bel canto masterpiece.\u003c\/p\u003e\n\u003cp\u003eOD 10617-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292640362632,"sku":"10617-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098664964,"sku":"MP3 10617-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10617-2front.jpg?v=1751036728"},{"product_id":"donizetti-lucia-di-lammermoor-deutekom-carreras-fioravanti","title":"Donizetti: Lucia di Lammermoor - Deutekom, Carreras, Fioravanti, Cava; Gatto.  Macerata, 1975","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis performance of \u003cem\u003eLucia di Lammermoor\u003c\/em\u003e stands out primarily for the fact that it features the superb \u003cstrong\u003eJosé Carreras\u003c\/strong\u003e as Edgardo. In the mid-1970s, his voice was unmatched in its combination of beauty and virility, making his portrayal truly exceptional.\u003c\/p\u003e\n\u003cp\u003eHe is joined by \u003cstrong\u003eCristina Deutekom\u003c\/strong\u003e, who possessed one of the rarest vocal instruments: a true dramatic coloratura. It is a rare treat to hear a Lucia who can deliver such power and passion (\u003cem\u003eslancio\u003c\/em\u003e) while effortlessly navigating the role's treacherous vocal demands. The sound quality is very good.\u003c\/p\u003e\n\u003cp\u003eOD 10688-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292637577352,"sku":"10688-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098674628,"sku":"MP3 10688-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10688-2front.jpg?v=1751036642"},{"product_id":"donizetti-lucia-di-lammermoor-sutherland-turp-shaw-pritchard","title":"Donizetti: Lucia di Lammermoor - Sutherland, Turp, Shaw, Rouleau, Elkins; Pritchard.  Edinburgh, 1961","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eIn 1961 Joan Sutherland was just starting to find her niche in the bel canto repertoire after having flirted with the dramatic soprano domain in the late 50s. This recording not only displays her innate brilliance singing bel canto, but it bares out that her earlier notions of a career as a dramatic soprano were far from delusional. The ringing steel in her sound seems truly incongruous with a voice as agile and pure as hers. She is joined by an excellent cast of supporting singers including an excellent Enrico courtesy of John Shaw. John Pritchard demonstrates a sensitive understanding of Italian bel canto. The sound is excellent.\u003c\/p\u003e\n\u003cp\u003eOD 10883-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292629418120,"sku":"10883-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098675972,"sku":"MP3 10883-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10883-2front_35a721ed-b581-4c61-b67a-3953f0c3fe0e.jpg?v=1751036392"},{"product_id":"donizetti-lucia-di-lamermoor-scotto-raimondi-ferrin-guelfi-abbado","title":"Donizetti: Lucia di Lammermoor - Scotto, G. Raimondi, Guelfi, Ferrin; Abbado.  Milano, 1967","description":"\u003cdiv class=\"two-column-grid\"\u003e\n  \u003c!-- Left Column: Title, Composer, Description --\u003e\n  \u003cdiv\u003e\n    \u003ch1 class=\"title-header\"\u003eLucia di Lammermoor\u003c\/h1\u003e\n    \u003cp\u003e\u003cstrong\u003eGaetano Donizetti (1797–1848)\u003c\/strong\u003e\u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\"\u003eDESCRIPTION\u003c\/h3\u003e\n    \u003cp\u003eThis performance of \u003cem\u003eLucia di Lammermoor\u003c\/em\u003e makes evident why \u003cstrong\u003eRenata Scotto\u003c\/strong\u003e was so often compared to Maria Callas. Like Callas, Scotto possessed formidable vocal agility, yet her technical prowess was never an end in itself. Each flourish and ornament is charged with psychological intent, suggesting Lucia’s unraveling from her very first appearance. Where lesser interpretations might feel mannered or affected, Scotto seamlessly fuses the musical and the dramatic, achieving a rare cohesion that recalls the most compelling bel canto portrayals.\u003c\/p\u003e\n    \u003cp\u003e\u003cstrong\u003eGianni Raimondi\u003c\/strong\u003e offers a refined and vocally assured Edgardo, while \u003cstrong\u003eClaudio Abbado\u003c\/strong\u003e leads with a directness that favors emotional clarity over overt display. His conducting supports the singers with sensitivity and restraint. The recorded sound is very good, capturing the nuances of both orchestra and voices with warmth and balance.\u003c\/p\u003e\n    \u003chr class=\"mobile-only-hr\"\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- Right Column: Cast and Details --\u003e\n  \u003cdiv\u003e\n    \u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n    \u003cp\u003e\n      Lucia – \u003cstrong\u003eRenata Scotto\u003c\/strong\u003e\u003cbr\u003e\n      Edgardo – \u003cstrong\u003eGianni Raimondi\u003c\/strong\u003e\u003cbr\u003e\n      Enrico – \u003cstrong\u003eGiangiacomo Guelfi\u003c\/strong\u003e\u003cbr\u003e\n      Raimondo – \u003cstrong\u003eBeniamino Prior\u003c\/strong\u003e\u003cbr\u003e\n      Arturo – \u003cstrong\u003eAgostino Ferrin\u003c\/strong\u003e\u003cbr\u003e\n      Alisa – \u003cstrong\u003eFlora Rafanelli\u003c\/strong\u003e\u003cbr\u003e\n      Normanno – \u003cstrong\u003ePiero De Palma\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n    \u003cp\u003e\n      Location: \u003cstrong\u003eMilano\u003c\/strong\u003e\u003cbr\u003e\n      Date: \u003cstrong\u003e1967\u003c\/strong\u003e\u003cbr\u003e\n      Conductor: \u003cstrong\u003eClaudio Abbado\u003c\/strong\u003e\u003cbr\u003e\n      Catalogue Number: \u003cstrong\u003eOD 11070-2\u003c\/strong\u003e\u003cbr\u003e\n      Label: \u003cstrong\u003eOpera Depot\u003c\/strong\u003e\u003cbr\u003e\n      Number of Discs: \u003cstrong\u003e2\u003c\/strong\u003e\u003cbr\u003e\n      \u003cstrong\u003eIn Stereo\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\"\u003eBONUS\u003c\/h3\u003e\n    \u003cp\u003e\n      Renata Scotto sings \u003cem\u003e\"Cupa fatal mestizia\"\u003c\/em\u003e from \u003cem\u003eMaria di Rohan\u003c\/em\u003e\u003cbr\u003e\n      Lisboa, 1968\n    \u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292623519880,"sku":"11070-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098674500,"sku":"MP3 11070-2","price":9.95,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":51281914134849,"sku":"FLAC 11070-2","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/11070-2front_237a1643-8aaa-452e-b3d9-d8695ec7dd54.jpg?v=1751036229"},{"product_id":"donizetti-elisir-d-amore-giuseppe-di-stefano-renata-scotto-vinco-fioravanti-gavazzeni","title":"Donizetti: L'Elisir d'amore - Di Stefano, Scotto, Fioravanti, Vinco; Gavazzeni.  Bergamo, 1961","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eWhen you think of Giuseppe Di Stefano, you probably don’t think of comedy, but he proves in this performance of \u003cem\u003eL’Elisir d’amore\u003c\/em\u003e that he was a Nemorino to be reckoned with. Di Stefano’s approach is different from other tenors in this role that I have heard. He was always great at making the suffering of a character so palpable that as a listener you almost couldn’t help but experience it with him and even though Nemorino is far from a tragic role, Di Stefano instantly draws you in by conveying the frustrated love he feels for Adina. And with an Adina like Renata Scotto it is hard not to see why he would be smitten. Scotto, still in her twenties, bubbles with charm, demonstrating an understanding of bel canto well beyond her years. Ivo Vinco brings more basso than buffo to the role of Dulcamara giving the character a slickness that works very well to his advantage. Gianandrea Gavazzeni’s tempos are a little slow for my taste but he supports the singers well through the long bel canto phrases.\u003c\/p\u003e\n\u003cp\u003eOD 11072-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292623454344,"sku":"11072-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098667652,"sku":"MP3 11072-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/11072-2front_10b49fec-1c92-4504-8adf-a72463762be5.jpg?v=1751036226"},{"product_id":"donizetti-lucia-di-lammermoor-edita-gruberova-carlo-bergonzi","title":"Donizetti: Lucia di Lammermoor - Gruberova, Bergonzi, Gutstein, Tschammer; Urbon.  Graz, 1975","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis recording of \u003cem\u003eLucia di Lammermoor\u003c\/em\u003e matches newcomer Edita Gruberova with veteran Carlo Bergonzi. Although the slavic sound of Gruberova may seem like an odd compliment to Bergonzi’s Italianate tenor, the two shared an innate understanding for bel canto and ultimately work quite well together. What I find most impressive with Gruberova is the opulence of her voice combined with the remarkable knack for coloratura. Her high notes in the house had a thrust that doesn’t always come across in her studio recordings but does in this live performance. Although Bergonzi would go on for decades charming audiences with his unique style, it is fair to say that by 1975 his best years were in the past. However, it is easy to forgive the odd wayward high note as he is still able to spin the the long arches of Donizetti's’ melodies with his signature style and grace. The sound is fair to good.\u003c\/p\u003e\n\u003cp\u003eNote:\u003cbr\u003eThe music in Act II after the Sextet is missing from this recording.\u003c\/p\u003e\n\u003cp\u003eOD 11114-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292621291656,"sku":"11114-2","price":17.95,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098674692,"sku":"MP3 11114-2","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/11114-2front.jpg?v=1751036178"},{"product_id":"donizetti-lucrezia-borgia-leyla-gencer-giacomo-aragall-franci","title":"Donizetti: Lucrezia Borgia - Gencer, Aragall, Petri, Rota; Franci. Napoli, 1966","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003e\u003cem\u003eLucrezia Borgia\u003c\/em\u003e is one of the true surprises of the repertoire, a neglected gem that shimmers all the more when it has true star power in the title role. Leyla Gencer is a wonderfully anguished Lucrezia, less dangerous than some, but gorgeously sung throughout. Her son is taken by the under-recorded Giacomo Aragall, who is a full-blooded, attractive presence in a rather thankless role (he doesn't even get a real aria). Mario Petri, in the small but important role of Lucrezia's husband, provides a lovely reading of one of the great bass arias \u003cem\u003e\"Vieni, la mia vendetta\"\u003c\/em\u003e, and Anna Maria Rota is a lively Orsini. 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Verona, 1976","description":"\u003ch1 style=\"text-align: center;\" class=\"title-header\"\u003eRecording Information\u003c\/h1\u003e\n\n\u003cdiv class=\"two-column-grid\"\u003e\n  \u003cdiv style=\"text-align: center;\"\u003e\n    \u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n    \u003cp\u003e\n      Lord Enrico Ashton – \u003cstrong\u003eRenato Bruson\u003c\/strong\u003e\u003cbr\u003e\n      Miss Lucia – \u003cstrong\u003eCristina Deutekom\u003c\/strong\u003e\u003cbr\u003e\n      Sir Edgardo di Ravenswood – \u003cstrong\u003eLuciano Pavarotti\u003c\/strong\u003e\u003cbr\u003e\n      Lord Arturo Bucklaw – \u003cstrong\u003eOslavio di Medico\u003c\/strong\u003e\u003cbr\u003e\n      Raimondo Bidebent – \u003cstrong\u003eMario Rinaudo\u003c\/strong\u003e\u003cbr\u003e\n      Alisa – \u003cstrong\u003eScilly Fortunato\u003c\/strong\u003e\u003cbr\u003e\n      Normanno – \u003cstrong\u003eGianPaolo Corradi\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"text-align: center;\"\u003e\n    \u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n    \u003cp\u003e\n      Location: \u003cstrong\u003eArena di Verona\u003c\/strong\u003e\u003cbr\u003e\n      Date: \u003cstrong\u003eJuly 29, 1976\u003c\/strong\u003e\u003cbr\u003e\n      Conductor: \u003cstrong\u003eOliviero de Fabritiis\u003c\/strong\u003e\u003cbr\u003e\n      Catalogue Number: \u003cstrong\u003e30062-2\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":50543194014017,"sku":"30062-2","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/Donizetti-Gaetano_2819ca45-c3e3-4781-8a09-a20305ea18a3.png?v=1751034823"},{"product_id":"donizetti-lelisir-damore-carreras-cotrubas-wixell-evans-watson-pritchard","title":"Donizetti: L'Elisir d'amore - Carreras, Cotrubas Wixell, Evans, Watson; Pritchard. London, 1976","description":"\u003ch1 style=\"text-align: center;\" class=\"title-header\"\u003eRecording Information\u003c\/h1\u003e\n\u003cdiv class=\"two-column-grid\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n\u003cp\u003eAdina – \u003cstrong\u003eIleana Cotrubas\u003c\/strong\u003e\u003cbr\u003eNemorino – \u003cstrong\u003eJose Carreras\u003c\/strong\u003e\u003cbr\u003eBelcore – \u003cstrong\u003eIngvar Wixell\u003c\/strong\u003e\u003cbr\u003eDulcamara – \u003cstrong\u003eGeraint Evans\u003c\/strong\u003e\u003cbr\u003eGiannetta – \u003cstrong\u003eLilian Watson\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n\u003cp\u003eLocation: \u003cstrong\u003eRoyal Opera, Covent Garden\u003c\/strong\u003e\u003cbr\u003eDate: \u003cstrong\u003eDecember 27, 1976\u003c\/strong\u003e\u003cbr\u003eConductor: \u003cstrong\u003eJohn Pritchard\u003c\/strong\u003e\u003cbr\u003eCatalogue Number: \u003cstrong\u003e30100-2\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"Streaming","offer_id":50543197159745,"sku":"30100-2","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/Donizetti-Gaetano_32e20d74-250c-4f85-ab1d-1d31d72bcfe0.png?v=1751034797"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/collections\/Donizetti-Gaetano.png?v=1746299953","url":"https:\/\/operadepot.com\/collections\/gaetano-donizetti.oembed?page=4","provider":"Opera Depot","version":"1.0","type":"link"}