{"title":"KUNZ, Erich","description":"","products":[{"product_id":"strauss-rosenkavalier-schwarzkopf-della-casa-jurinac","title":"Strauss: Der Rosenkavalier - Schwarzkopf, Jurinac, Della Casa, Edelmann, Kunz, Cuenod; Karajan.  Milan, 1952","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis 1952 live recording of \u003ci\u003eDer Rosenkavalier\u003c\/i\u003e captures a pivotal moment in the career of \u003cb\u003eElisabeth Schwarzkopf\u003c\/b\u003e, singing the Marschallin for the very first time. It would become her signature role—a part she refined and revisited throughout her career—but there is something uniquely captivating about this early interpretation. Still in her thirties, Schwarzkopf sings with a freshness and vocal bloom that she would never quite recapture. Her Marschallin is already poised, elegant, and deeply expressive, hinting at the interpretive command that would later define her portrayal.\u003c\/p\u003e\n\u003cp\u003eAlongside her, \u003cb\u003eSena Jurinac\u003c\/b\u003e brings warmth and impetuous charm to Octavian. The chemistry she shares with both Schwarzkopf and \u003cb\u003eLisa Della Casa\u003c\/b\u003e, who sings a radiant and pure-toned Sophie, gives their scenes together an irresistible emotional clarity. It’s a fascinating cast in retrospect: both Jurinac and Della Casa would eventually take on the Marschallin themselves, adding a layer of historical resonance to this performance. Here, though, they embody their roles with youthful vitality, their voices blending seamlessly in Strauss's intricate ensembles.\u003c\/p\u003e\n\u003cp\u003eThe sound quality, while less than ideal by modern standards, does little to obscure the spirit of the performance. Beneath the surface noise lies a reading full of heart, insight, and character—an invaluable document of three great singers at defining points in their careers.\u003c\/p\u003e\n\u003cp\u003eIn Mono\u003c\/p\u003e\n\u003cp\u003eOD 10074-3\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292663398536,"sku":"10074-3","price":16.17,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099059268,"sku":"MP3 10074-3","price":8.97,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":50350245740865,"sku":"FLAC 10074-3","price":10.77,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10074-3front.jpg?v=1751037245"},{"product_id":"wagner-die-meistersinger-von-nurnberg-ludwig-suthaus-paul-schoffler","title":"Wagner: Die Meistersinger von Nürnberg - Schöffler, Suthaus, Scheppen, Kunz, Dalberg; Abendroth.  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Wien, 1955","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp data-start=\"0\" data-end=\"760\"\u003e\u003cem data-start=\"0\" data-end=\"32\"\u003eDie Meistersinger von Nürnberg\u003c\/em\u003e has had a complex history. Its admirers praise its unmatched humanity and \u003cstrong data-start=\"107\" data-end=\"125\"\u003eRichard Wagner\u003c\/strong\u003e’s brilliant formal structure, while its detractors struggle with Sachs’ Act III monologue, which can feel uncomfortably close to Third Reich ideology—despite being written a generation earlier. This performance, however, seems to focus on reconciliation. Staged in Vienna just ten years after the war, there is a palpable urgency in conveying the opera’s true essence: a celebration of art, German and otherwise. A particularly moving moment occurs in Act III, when the entrance of Hans Sachs is met with a spontaneous and prolonged ovation—what prompted it remains unknown, but the raw emotion on and off the stage is unmistakable.\u003c\/p\u003e\n\u003cp data-start=\"762\" data-end=\"1348\" data-is-last-node=\"\"\u003eThe cast delivers strong performances, led by \u003cstrong data-start=\"808\" data-end=\"826\"\u003ePaul Schöffler\u003c\/strong\u003e, whose Hans Sachs is deeply compelling. \u003cstrong data-start=\"867\" data-end=\"887\"\u003eIrmgard Seefried\u003c\/strong\u003e is a charming Evchen, while \u003cstrong data-start=\"916\" data-end=\"931\"\u003eHans Beirer\u003c\/strong\u003e proves that beyond the sheer power of his voice, he possesses genuine artistry—his \u003cem data-start=\"1015\" data-end=\"1026\"\u003ePreislied\u003c\/em\u003e is both burnished and sweet, executed with remarkable finesse, even at the deliberate pacing set by \u003cstrong data-start=\"1127\" data-end=\"1143\"\u003eFritz Reiner\u003c\/strong\u003e, who otherwise leads an organic and spirited performance. The sound quality is excellent, though, in the interest of full disclosure, there is some mild clicking on the last CD, totaling about 40 seconds.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOD 10511-4\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292645015688,"sku":"10511-4","price":20.97,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099197892,"sku":"MP3 10511-4","price":11.37,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10511-4front.jpg?v=1751036870"},{"product_id":"strauss-die-fledermaus-schock-moser-ludwig-berry-kunz-beirer","title":"Strauss (Johann): Die Fledermaus - Moser, Schock, Holm, Ludwig, Beirer, Kunz, Holecek; Paulik.  Wien, 1975","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThe sound quality of this performance of \u003cem\u003eDie Fledermaus\u003c\/em\u003e may not be ideal, but the performers more than compensate with their dazzling vocalism. In his operatic farewell, \u003cstrong\u003eRudolf Schock\u003c\/strong\u003e takes on the role of Gabriele von Eisenstein. True to the philosophy of leaving while still at the top, Schock’s singing remains effortless and robust, a testament to his enduring talent.\u003c\/p\u003e\n\u003cp\u003eRosalinde is notoriously challenging to cast, requiring a soprano with excellent coloratura, a secure upper register, and vocal heft. \u003cstrong\u003eEdda Moser\u003c\/strong\u003e embodies all these qualities, delivering a dazzling and thrilling performance. \u003cstrong\u003eHans Beirer\u003c\/strong\u003e impressively scales down his heldentenor for the lyric role of Alfred, showcasing deft comedic timing. His oversized voice hilariously captures the overwrought outbursts of a temperamental tenor. \u003cstrong\u003eChrista Ludwig\u003c\/strong\u003e is equally captivating as Orlofsky, adding further depth to the stellar cast.\u003c\/p\u003e\n\u003cp\u003eOriginating from the Wiener Staatsoper on New Year’s Day, this performance brims with vitality and Viennese charm. The second act’s opening chorus and the overture are missing. I’ve included another version of the overture, conducted by \u003cstrong\u003eArtur Rodzinski\u003c\/strong\u003e in 1950, to ensure continuity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBONUS:\u003c\/strong\u003e\u003cbr\u003eEdda Moser sings \u003cem\u003e\"Caro nome\"\u003c\/em\u003e from \u003cem\u003eRigoletto\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOD 10630-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292639936648,"sku":"10630-2","price":10.77,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14099037764,"sku":"MP3 10630-2","price":5.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10630-2front.jpg?v=1751036711"},{"product_id":"offenbach-les-contes-d-hoffmann-kmentt-silja-wiener-kunz-schoffler-krips","title":"Offenbach: Les Contes d'Hoffmann - Kmentt, Silja, Wiener, Kunz, Schöffler, Stolze; Krips.  Wien, 1966","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis performance of \u003cem\u003eLes Contes d’Hoffmann\u003c\/em\u003e takes on the ambitious challenge of casting one soprano in all three leading soprano roles—a feat Jacques Offenbach never intended but which has tempted many great singers. Few sopranos possess the versatility to transition convincingly from a coloratura to a lyric spinto to a dramatic soprano within a single evening. Fortunately, this recording features one of opera's most versatile sopranos: \u003cstrong\u003eAnja Silja\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAt this stage in her career, Silja was already established as a Wagnerian soprano, yet she demonstrates remarkable agility as Olympia, delivering spot-on high notes and sparkling coloratura. As Antonia, she reveals the lyrical warmth of her voice, bringing poignancy to the role. \u003cmeta charset=\"utf-8\"\u003eGiulietta, perhaps the least ideal match for her instrument, demands more of her middle voice than she seems entirely comfortable with. Even so, she rises above these challenges through the sheer magnetism of her stage presence.\u003c\/p\u003e\n\u003cp\u003eThe cast is rounded out by \u003cstrong\u003eWaldemar Kmentt\u003c\/strong\u003e, who excels as Hoffmann, alongside a stellar lineup of legendary singers: \u003cstrong\u003eOtto Wiener\u003c\/strong\u003e as the four villains, \u003cstrong\u003eGerhard Stolze\u003c\/strong\u003e as the servants, \u003cstrong\u003ePaul Schöffler\u003c\/strong\u003e as Crespel, \u003cstrong\u003eGrace Hoffman\u003c\/strong\u003e as Antonia’s mother, and \u003cstrong\u003eErich Kunz\u003c\/strong\u003e as Spalanzani. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEW MASTER:\u003c\/strong\u003e\u003cbr\u003e- Pitch corrected, excess noise removed and track information added.\u003c\/p\u003e\n\u003cp\u003eOD 10696-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292637347976,"sku":"10696-2","price":10.77,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098747204,"sku":"MP3 10696-2","price":5.97,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":49883831730497,"sku":null,"price":7.17,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10696-2front_f6a7bd6c-ac4c-486b-919f-e9cd514e9c13.jpg?v=1751036631"},{"product_id":"strauss-ariadne-auf-naxos-rysanek-king-scovotti-troyanos-schoffler-bohm","title":"Strauss: Ariadne auf Naxos - Rysanek, King, Scovotti, Troyanos, Schoeffler, Kunz, Auger; Böhm.  Wien, 1967","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eIt is quite difficult to imagine a better cast for \u003cem\u003eAriadne auf Naxos\u003c\/em\u003e. Leonie Rysanek, in the title role, is near perfect. Her voice seems to be able to endlessly soar into the stratosphere of Strauss' melodies. How often have you heard a Bacchus grunt his way through the role? Not so with James King who brings god-like bravado and beauty of tone. A young Tatiana Troyanos is an explosion of energy and a good foil to the Music Teacher of Paul Schöffler, whose glorious career was starting to wind down. Jeanette Scovotti brings a fuller tone to the role of Zerbinetta. The sound is excellent.\u003c\/p\u003e\n\u003cp\u003eOD 10715-2\u003c\/p\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":31292636790920,"sku":"10715-2","price":10.77,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":14098810756,"sku":"MP3 10715-2","price":5.97,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":49828413636929,"sku":null,"price":7.17,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/10715-2front.jpg?v=1751036610"},{"product_id":"strauss-salome-behrens-baltsa-bohm-van-dam-ochman-karajan","title":"Strauss: Salome - Behrens, Van Dam, Böhm, Baltsa, Ochman; Karajan.  Salzburg, 1977","description":"\u003ch1\u003eDescription:\u003c\/h1\u003e\n\u003cp\u003eThis \u003cem\u003eSalome\u003c\/em\u003e marked the breakout run for Hildegard Behrens who would go on to become one of the greatest dramatic sopranos of her time. The production was recorded and commercially released. This recording was the broadcast of one of the performances and is a much better representation of Behrens' artistry than the rather stale accounting from the studio. In short, Behrens is near perfections as Salome. There was a pure girlish quality to her voice which seems almost entirely incongruous with the music of Richard Strauss, but, when coupled with her powerful top, creates the perfect storm for a definitive Salome. She is joined by a remarkable supporting cast including Agnes Baltsa as Herodias and José Van Dam as Jochanaan. Baltsa seems a little out of sorts in this role. Her voice was still too legit for these kind of roles and she lacks the \"campy\" quality that makes a great Herodias (perhaps Karajan wanted to convey a more youthful Herodias.) Van Dam may not be booming in this role, but he still delivers it with plenty of fire and brimstone and his attractive voice makes it seem all the more clear why Salome would become so infatuated with him. 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Salzburg, 1955","description":"\u003cdiv class=\"two-column-grid\"\u003e\n  \u003c!-- Left Column: Title, Composer, Description --\u003e\n  \u003cdiv\u003e\n    \u003ch1 class=\"title-header\"\u003eDie Zauberflöte\u003c\/h1\u003e\n    \u003cp\u003e\u003cstrong\u003eWolfgang Amadeus Mozart (1756–1791)\u003c\/strong\u003e\u003c\/p\u003e\n    \u003chr\u003e\n    \u003ch3 class=\"section-heading\"\u003eDESCRIPTION\u003c\/h3\u003e\n    \u003cp\u003eThis performance of \u003ci\u003eDie Zauberflöte\u003c\/i\u003e captures the magic and mystery of Mozart’s fairy tale with a cast of distinguished Mozart singers, each bringing style, warmth, and humor to the work. \u003cb\u003eElisabeth Grümmer\u003c\/b\u003e is radiant as Pamina, offering the vocal control associated with this repertoire alongside the fullness of tone that made her Eva in \u003ci\u003eDie Meistersinger von Nürnberg\u003c\/i\u003e so memorable. \u003cb\u003eAnton Dermota\u003c\/b\u003e brings reserved grace to Tamino, while \u003cb\u003eGottlob Frick\u003c\/b\u003e lends Sarastro both fatherly warmth and magisterial bearing.\u003c\/p\u003e\n\n    \u003cp\u003e\u003cb\u003eErich Kunz\u003c\/b\u003e’s Papageno brims with humanity and charm, and \u003cb\u003eErika Köth\u003c\/b\u003e’s Queen of the Night dazzles while radiating menace. \u003cb\u003eGeorg Solti\u003c\/b\u003e, unconstrained by the stylistic expectations that often shape Mozart performances today, offers a reading grounded in the text and attentive to the opera’s dramatic arc.\u003c\/p\u003e\n\n    \u003chr class=\"mobile-only-hr\"\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- Right Column: Cast and Details --\u003e\n  \u003cdiv\u003e\n    \u003ch3 class=\"section-heading\"\u003eCAST\u003c\/h3\u003e\n    \u003cp\u003e\n      Sarastro – \u003cstrong\u003eGOTTLOB FRICK\u003c\/strong\u003e\u003cbr\u003e\n      Tamino – \u003cstrong\u003eANTON DERMOTA\u003c\/strong\u003e\u003cbr\u003e\n      Sprecher – \u003cstrong\u003ePAUL SCHÖFFLER\u003c\/strong\u003e\u003cbr\u003e\n      Erster Priester – \u003cstrong\u003eGEORGES MÜLLER\u003c\/strong\u003e\u003cbr\u003e\n      Zweiter Priester – \u003cstrong\u003eGEORG MONTHY\u003c\/strong\u003e\u003cbr\u003e\n      Königin der Nacht – \u003cstrong\u003eERIKA KÖTH\u003c\/strong\u003e\u003cbr\u003e\n      Pamina – \u003cstrong\u003eELISABETH GRÜMMER\u003c\/strong\u003e\u003cbr\u003e\n      Erste Dame – \u003cstrong\u003eGERDA SCHEYRER\u003c\/strong\u003e\u003cbr\u003e\n      Zweite Dame – \u003cstrong\u003eCHRISTA LUDWIG\u003c\/strong\u003e\u003cbr\u003e\n      Dritte Dame – \u003cstrong\u003eHILDE RÖSSEL-MAJDAN\u003c\/strong\u003e\u003cbr\u003e\n      Papageno – \u003cstrong\u003eERICH KUNZ\u003c\/strong\u003e\u003cbr\u003e\n      Papagena – \u003cstrong\u003eHANNELORE STEFFEK\u003c\/strong\u003e\u003cbr\u003e\n      Monostatos – \u003cstrong\u003ePETER KLEIN\u003c\/strong\u003e\u003cbr\u003e\n      Erster Geharnischter – \u003cstrong\u003eHELMUT MELCHERT\u003c\/strong\u003e\u003cbr\u003e\n      Zweiter Geharnischter – \u003cstrong\u003eFRANZ BIERBACH\u003c\/strong\u003e\n    \u003c\/p\u003e\n\n    \u003chr\u003e\n\n    \u003ch3 class=\"section-heading\"\u003eDETAILS\u003c\/h3\u003e\n    \u003cp\u003e\n      Location: \u003cstrong\u003eSalzburg Festspiele\u003c\/strong\u003e\u003cbr\u003e\n      Date: \u003cstrong\u003eJuly 25, 1955\u003c\/strong\u003e\u003cbr\u003e\n      Conductor: \u003cstrong\u003eGeorg Solti\u003c\/strong\u003e\u003cbr\u003e\n      Catalogue Number: \u003cstrong\u003eOD 12369-3\u003c\/strong\u003e\u003cbr\u003e\n      Label: \u003cstrong\u003eOpera Depot\u003c\/strong\u003e\u003cbr\u003e\n      Number of Discs: \u003cstrong\u003e3\u003c\/strong\u003e\u003cbr\u003e\n      \u003cstrong\u003eIn Mono\u003c\/strong\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Opera Depot","offers":[{"title":"CD","offer_id":51819224432961,"sku":"12369-3","price":16.17,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":51819224465729,"sku":"MP3 12369-3","price":8.97,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":51819224498497,"sku":"FLAC 12369-3","price":10.77,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/files\/12369-3front.jpg?v=1780839887"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/9583\/collections\/Kunz-Erich.png?v=1752420458","url":"https:\/\/operadepot.com\/collections\/erich-kunz.oembed?page=2","provider":"Opera Depot","version":"1.0","type":"link"}